Quotes About Pressure

Working at the 'Review', if anything, the impression you got was, 'I'll never be good enough. I'll never work hard enough. I'll never be devoted enough.' These people are staying up all night over their sentences!

I was always taught that pressure comes when you aren't prepared or didn't work hard enough.

For me, I know that people always expect me to be perfect, so when I'm not perfect, it's really frustrating. I'm really hard on myself and want things to work out right away.

There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.

I love playing football. So I go out to play football, and I don't really feel pressure. Of course, there are some days when things just don't work out as well as they do on other days, but that doesn't have anything to do with pressure.

When I try to be funny, it always makes me more nervous that I'm trying too hard, and then my brain that already thinks too much jumps into hyper drive, and I light-speed start talking 'Star Trek' to someone who's talking 'Star Wars.' Anyway, it doesn't work out usually when I 'try' to be funny.

For a very long time, I wrote a book a year, and was eager and willing to do it, to put bread on the table, to have my work out there. Now I must write a book every two years, and that's never enough time, either.

In theater, you really work out the kinks and figure out exactly what you want to do and what we want to say, so by the time we have an audience, we're really prepared. With TV, you have a day... Sometimes, just a few hours.

You're feeling the responsibility for hundreds of thousands, if not millions, of people on your shoulder in a way that I couldn't feel as lieutenant governor.

I'd say it's harder to play with an acoustic guitar strapped over your shoulder for a few hundred people than it is to play in front of thousands with an entire bombastic band behind you.

I don't type my sentences on an arena's pitch, surrounded by thousands of cheering or booing fans - I don't feel pressure to please a crowd.

Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.

Winning HOYS set me up for the future and prepared me for riding in front of lots of people, but the real highlight was the London 2012 Olympics. Being able to go out in front of thousands of people, on your home ground, representing your country and winning gold medals is something I'll never be able to beat.

I think after coming off of 'American Idol'... people kind of expect you to just be awesome all the time, and we're still learning. I had a lot of stage experience, but it was in a 200-seat theater, you know - it wasn't thousands of people in front of me.

Nobody plans on playing their own songs in front of thousands of people.

I go around the country, and I speak to colleges, conferences and thousands of people at a time, and I'm like, 'Great. Fine. Whatever.' Coming to speak to about 60 kids, I am scared to death.

I think actually performing on stage when everyone's facing you and you're one person facing them, that is quite a lonely thing in a strange way. You have to be quite insular from everybody else, you've got thousands of people staring at you and you're just on your own.

When I first started as an editorial cartoonist, I was terrified on a daily basis. Filling that hole the next day, knowing that tens of thousands of people were going to expect something funny. There is still that pressure, but you kind of learn how to cope with it a little better.

I'd be on stage in Ireland performing for thousands of people and just not believing in what I'm doing at all. And it hurt, it hurt badly. I knew every day that I couldn't continue this way.

It's easy to say when you're on the outside and when you're the coach or for people to say, 'Oh, you should have done this, you should have done that.' But when you're in there in front of thousands of people and you get hit and you want to win the fight, it's totally different.

There is a big difference between performing in WWE before thousands of people in an arena and acting in a scene with a camera close-up on your face.

Brain surgeons are dealing with the very last thread of life, and they have to be very confident, but I think they tend to remember their failures rather than their successes, and that must be very hard. Who do you share that failure with? That's why their personal lives are often disastrous.

I think threat of change is pretty potent. In humans, blood pressure doesn't go up when people get laid off: it goes up when they first hear rumors that layoffs are coming at the end of the month.

It's a really nice way to cut your teeth, doing live shows. It's like going to the gym because you do have to think fast. You are constantly under the threat of people not laughing. Instead of getting hit, people could just not laugh, so you really are trying to mine quickly for the funniest thing you could say in that moment.