Quotes About Hip-hop

They use all of the music that I did in the '50s, '60s and the '70s behind people like Tupac and LL Cool J. I'm into all that stuff.

You know what, if Rick Rubin would produce another Geto Boys album I'd do it.

I grew up, like - since I had a lot of brothers, I grew up listening to Hot Boys, Goodie Mob, OutKast, basically all the southern albums, like Silkk the Shocker, Master P, Soulja Slim, and then it just elevated on when I started getting into music and I started listening to Nas and Jay Z and stuff like that and Lupe Fiasco and whatnot.

People often link grime with other things, like street culture, and clashing, and MC battles and whatnot. But no one's ever talked in misogyny in grime. That's often linked to hip-hop, I know people talk about that is a problem in hip-hop. But not grime.

I am a big fan of music in general. I listen to all genres: hip-hop, R&B, whatever sounds good to me; it doesn't matter to me where it comes from - there are no boundaries, no fences. If I like it, then it will inspire me to create.

Wherever I go, I bring the culture with me, so that they can understand that it's attainable. I didn't do it any other way than through hip-hop.

Ever since I was a kid, I was always a fan of hip hop. If you get your limelight whether your sixteen or twenty-one or wherever you're at, you get your lime when you get your lime, but if you're a part of hip hop and a child of hip hop, then you will always be a part of hip hop.

I was drawn to love songs, but I was just drawn to great music - no matter if it's hip-hop, pop, R&B or whether it's rock n' roll or country. It could be a Garth Brooks song, and if it's a smash, then I'll love the different wordplay and different melodies. That's what I'm a fan of - great music.

I was straight listening to rap at 15: LL Cool J, the Skinny Boys, Whistle, UTFO. And Run-D.M.C.'s debut was at the top of my list.

White people couldn't do black music back in the day because they weren't funky or bad enough. They weren't from the ghettoes, but hip-hop and R&B changed all of that because white kids want to be down with it. They wanted to learn it so they studied the culture. It's kind of a cool thing because we shouldn't be so separate.

I followed the footsteps of Scarface, Willie D, Bushwick Bill, Big Pokey, Lil Keke, Fat Pat, Big Moe, and Slim Thug. Those are the people who I was following behind, not the white rappers who came before me. No disrespect intended, I just didn't follow that lane, I followed this one.

People see a 'South Park' episode, and there's racially insensitive jokes - nobody bats an eye because they're expecting that in that context. In hip-hop, they don't expect that kind of thing because it's a white person in a predominantly black world.

'Hamilton' just asks us all to go a little bit deeper: whether you're a hip-hop fan seeing musical theater for the first time, or if you were thinking you were gonna see some reprise of 1776, and now it's this? And you're thinking, 'Wait a minute, these people aren't white!' It asks you just take a step and go a little deeper.

How You Like That' has Blackpink's own color and it's more powerful than the previous songs. We tried to put in pop, rock and hip-hop aspects in it. Orchestral sound in the beginning is very impressive.

I come from Eastside Buffalo and prison cells. That's the beauty about hip-hop. It just brings everybody together.

Hip-hop has been hijacked by a Luciferian conspiracy. People have used hip-hop in a lot of ways that cause a lot of mind problems. They use the word wrongfully. They use it to mean a part instead of a whole.

'Take It EZ' was actually the first video I ever produced for.

I've produced all of Childish Gambino's music.

Madlib isn't a beatmaker, he's a producer.

Timbaland is my favorite producer.

Dr. Dre is the most influential artist and producer in hip-hop history.

I wanted to be a great producer so I studied great hip-hop producers, but also stuff beyond that: Phil Spector, David Axelrod, Gamble and Huff. They're equally as influential to me as Dilla, Premier, and Pete Rock.

When I came up, one of my favorite groups and producers was Three 6 Mafia.

I started producing when I was listening to The Diplomats. The first time I heard Cam'ron was 'Dead or Alive.'