Quotes About Time

People's lives change dramatically over such a long time period, and I think that if you're still vital, and you're still interested in writing and things like that, of course your music evolves and reflects where you are in your life.

In response to our fast-food culture, a 'slow food' movement appeared. Out of hurried parenthood, a move toward slow parenting could be growing. With vital government supports for state-of-the-art public child care and paid parental leave, maybe we would be ready to try slow love and marriage.

Something that can be so vital at one point can be inconsequential at another. I'm just intrigued by that phenomenon.

Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced.

I happen to be very good with younger actors because I have extremely vivid memories of that time of my life, and kids are just funny.

When you're on set, and that clock is going, every second you spend doing something is a second you spend not doing something else. That's true of all of life, but it's very vivid on a film set because you're always managing that.

I have a very vivid memory of the way my parents spoke, and the 50's that I grew up in are closer to the 20's, I think, than today in many, many ways.

Our perception of time is really driven by our perception of the unfamiliar, vivid, and new.

Nineteen is as alive as 40-plus. I can vividly remember 19 and how I saw the world.

Artists have their very distinctive voices that theyve developed over a long period. It takes time to find your voice, your vocabulary of images, or whatever it is.

A lot of the vocal music I've been doing recently has been quite clubby. But that's mainly because I've had more time to go to clubs, and that normally breeds that kind of influence.

Being a mom makes it harder to find time to write and it gets harder to find time to sit down and do a vocal, because there's a baby behind you crying.

Remixes come very quickly, because you already have the melody and the vocals. I have a great passion for music, so it doesn't matter to me if it's a remix or an original production. I don't think about it as, 'Well, I have to spend three hours on a remix or I have to do something all original.'

I've had Motley fans come up to me and talk to me about Motley. I've had other fans talk to me about all the backing vocals and the tapes. I just ask them, 'At the end of the day, did you have a good time?' That's it.

In the time between when you first read a script and are offered the role and the time when you begin to shoot, I really love putting in the time and work on that and getting a solid backstory to a character and researching all that I can about what that person does for a vocation or their upbringing or where they're from.

Rhythm is born in all of us. To be a desirable dancing partner, you don't have to do all the intricate fancy steps that happen to be in vogue. All you have to do is be a good average dancer, and anybody who spends the time and effort can accomplish this.

I love magazines. I always read 'Time,' 'Newsweek' and 'The Economist.' When I get my hair cut, French 'Vogue,' French 'Elle,' 'Paris Match' - I read them all in 10 minutes.

We live in a time where it's very much in vogue, constant search for pure utopian equality, and which, on one level, is quite amusingly silly but also on another probably very important.

I had never seen 'Vogue.' I didn't read fashion magazines, I read 'Time' and 'Newsweek.'

Learning how to be editor-in-chief of 'Vogue' wasn't something that happened overnight.

Vogue and I weren't looking for a serious relationship at the time we met and I think that's probably part of the reason why we became so close as friends first.

The 1920s was the beginning of the media age. For the first time people were taking influences from the radio, Vogue and Hollywood.

Voice of the Spirit' was a project I'd been talking about for a long time. It began as an Appalachian record. But it's a record of all pure Southern gospel.

The whole time that I was doing the voice of Korra, I would always joke around saying that nobody's gonna give me a job as an action star or a hero. I just do silly comedy.