Quotes About World

Being from Miami, you're used to the fact that your home is a vacation spot. But that's what makes Miami one of the best places in the world. We're so rich in different cultures, being so close to Haiti, Cuba, the Dominican Republic, and Puerto Rico, and then you've got people who travel from all over the world just to come visit.

'Britain's Got Talent' just gave me that platform that I needed to share that with the world and be recognized, and now I'm able to travel the world and sing my music in places I never thought I'd visit - Dubai, Mexico, Brazil, so many different places.

Here in California, a lot of people are just kinda rude, and they're really impatient, especially on the freeways and stuff. And in Texas it's not like that. Here, it's kinda like a 'dog eat dog' world. But in Texas, it's really friendly. And all my family is in Texas, so we would visit family more if we lived in Texas.

I consider myself really lucky to be able to visit so many parts of the world, but after all of that, I love to come home. I appreciate my own space and the world I create for myself, my family and friends.

I have had many opportunities to visit universities all over the world in the past 50 years.

I can't wait 'til the world embraces Chicago - not only for our talent, but just to visit our city and not be so scared to come to it and not be subjected to what people's perception is of it.

The construction of 'Sekiro''s world is based on that of traditional Sengoku, or medieval Japan. To that end, we made sure to reference a lot of written materials on that period as well as actually visit several locations.

Being in the pop group Eternal gave me the most wonderful opportunity to travel the world, and I have visited some spectacular countries.

I remember that the first country I visited was Canada, and then France. After that, I knew that I loved traveling and seeing the world. I feel that I'm so blessed and fortunate to get to visit so many places and see the world.

As a Global Maternal Health Advocate, I get to travel the world quite a bit, meeting individuals and visiting programs with tremendous potential and incredible vision to improve the quality of life for countless others.

I've been to almost every country in the world, and the most frustrating thing for me has been that my schedule has always been so busy that there's so little time before and after performances to explore where I'm visiting.

I would go on summer vacations visiting family all over the world.

I love Martha's Vineyard, where I have had a house for thirty years. I have loved visiting countries around the world. But I always come home to Washington.

I have celebrated major successes with Germany on the pitch, but not only that, I have experienced so much off the pitch too, visiting countries and cities all over the world.

It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.

In the heart of the desert and founded by the first Spanish Conquistadores, Las Vegas has become the entertainment capital of the world, with more than 30 million visitors a year.

The museum at Ortles is dedicated to the world of ice so we wanted visitors to feel like they were inside a glacier.

Baz Luhrmann is a very visual director. He needs to see things as they would unfold in his world.

The world we live in is not purely visual. For me it's totally poly-sensorial so the tactile, sensual aspect of living in the work that I do is brought to the fore.

I think it's good to have switched to a much more visual world and that people are not all that interested in words.

I loved comics for a long time, loved the medium, and I love where comics are going. It's on the forefront of social issues, and there's no production value limit, so you can create an entire world. As long as you can visualize it, you can make it a reality.

Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.

You put books out into the world, and people form their own visuals and images and attachments to characters; those characters become part of them, and they have their feelings about them.

I'm always trying to find something unique or a project that I can do something unique in. When the director has a vision for a piece that I've never heard before, and they can back that up with visuals and they talk a good game, I get really interested in the world that they're trying to create.