Quotes About Improvise

Every time I improvise I'm aware that I could be ruining what it is that we're doing and we'll just have to do it again.

I find myself improvising a lot. But, sometimes I'll come us with a chorus or just one line and it will sort of hang out for a long time before it get's flushed out into a real living song.

I'm very open and never write what I'm going to say. Speeches bore everybody else. I have to freestyle. Every time, from one program to another, everything changes and I improvise.

Live out of your imagination, not your history.

Children have to grow into their imaginations like a pair of oversized shoes.

When you're playing the same dirty dozen night after night, the moments that keep it fresh are those when you just let go and trust everyone.

Ah, you coward! Look at you, running." "Actually, it's called improvising.

Take the hand you're dealt and then finesse it

there's nothing quite like Latin for disguising the fact that you're making it up as you go along.

We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.

You don't get time to rehearse in film and TV at all.

I don't like rehearsing.

I'm not a big fan of rehearsing.

You don't go around thinking about how characters in a movie, in the stories you make up, relate to people in general.

I like to learn the lines and not get any precontrived things in my head about the part. Just get on stage and see what the other actors are doing, and respond to them as honestly as I can.

We want to connect all these musical worlds together. We just improvise; we know straight away if its going to work or not. They're not covers - I hate the word cover. We do a transcription: mix it up, put our own spin on it. I think people will be surprised how powerful our show is.

When I was a little girl, I loved theater a lot and I was always playing and making my own worlds.

The worst costume is when you don't have a costume.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

Initially I probably didn't even call it acting, but dressing up or something. As a kid I think you fully imagine the world in which you want to inhabit, so you put some clothes on and just kind of freely imagine this world, and it's a total imaginary world.

In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material.

We're actually doing something scripted that's totally, you know, we kind of know what's going on, however, we're having to live life and death as the art.

Moving to oriental or jazz while listening to drum beats or trance, take your own time and improvise. Wait not, now is the time to release the dancing vibes

John Cusack is a dream. I did one one-on-one scene with him and we got to shoot it so many times, and he did it different every time.