Quotes About Improvise

I walk into a scene, and I do the scene. That's my job. I don't have an objective. I have the words, and I have whoever I'm playing with.

That's why I hate to get started in these jam sessions. I'm always the last one to leave.

I like to put on a wig or a fake mustache and do something silly with friends, do a little dance.

Whenever I've had a wig fall off, I've just played it off like I meant it to happen. Just keep a good sense of humor about it.

There's no game plan when it comes to thinking up new characters; inspiration can come from anything - from a wig I've seen to an expression I've heard someone use.

I've got a pretty wild imagination, and a lot of times, I have to be reeled back in.

I did imitations of anyone who came to my parents' house, and that was my identity at school - if there were ten minutes to lunch, and the teacher was done with the lesson, he'd say, 'Okay, Leo, get up there and do something.'

When you're making a film, you have to make most of your decisions on the run, and there is a tendency to always shoot from the hip.

A seventeenth-century house tends to be short on frills like hallways and closets; you must improvise.

You can't improvise if you are tense. Or thinking too much. You have to really let it go.

I was a terrific liar as a child, and I believe my lies. So it's a natural step into acting.

I was imagining the most bizarre things befalling you." "Did they include a six-hundred-pound ice bear and a pirate poet?" "No…" "Then they weren't the most bizarre after all.

What we play is life.

Man, if you have to ask what it [jazz] is, you'll never know.

If you can't do it naturally, then fake it.

I seduced my admissions officer.""Wonderful.""She seemed to think so.""She?"Gobi reached over and squeezed my thigh. "Does that excite you?""No.""You must learn to adapt, Perry. Improvise. Go with the flow.

When you're improvising, it's fun to find something that you can lean on that is similar to your life experience. In my opinion, that's very helpful.

I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.

I once used a fork to comb my hair because there was a time when I didn't own a hairbrush.

Not everyone is fortunate enough to earn their living playing. But what draws people to art and artists is a desire to enjoy the propinquity of play. For it is the very freedom of the imagination. And what else were we born to do, but imagine freely?

I don't freestyle much.

Come, come, the Baron said. We don't have much time and pain is quick. Please don't bring it to this, my dear Duke. The Baron looked up at Piter who stood at Leto's shoulder. Piter doesn't have all his tools here, but I'm sure he could improvise. Improvisation is sometimes the best, Baron.

In those rare cases in which you have a dull knife and cooking to do, but no ceramic in sight, the top edge of a rolled-down car window will work just as well. Even a smooth stone or slab of concrete outside can work in a pinch.

I always improvise with the crowd. Sometimes it will be a 50 percent show, sometimes 70 percent, sometimes it's almost a whole show where I wing it. It depends on my mood, the energy in the room. For sure, a portion of it is just kind of winging it.