Quotes About Spontaneity

Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.

I always give the encore over to chaos, so people can yell out requests and I can hack my way through a song that I don't really know anymore.

All improv turns into anger. All comedy improv basically turns into anger, because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.

Very little thought goes into making this stuff I make. It is on impulse. I think of colors all day and suddenly if I think of ice blue, I wonder if red or yellow will go with it.

Yes, I'm still going to misbehave!

There are people who are able to plan their career, their future, but I've never had any talent for that. I just do things and hope for the best. Say yes, take a chance, and sometimes it's terrific and sometimes it's not.

You know the actor John Garfield? In one movie he walked up to this train station, the ticket booth, and the guy says, 'Yes, where are you going?' And he says, 'I want a ticket to nowhere.' I thought: that's it. The freedom to do that. I want a ticket to nowhere.

I think it's very important to live in the present. One of the great things that improvising teaches you is the magic of the moment that you're in because, when you improvise, you're in right now. You're not in yesterday or tomorrow - you're right in the moment.

If you want to put out a song that you wrote yesterday, tomorrow go on Twitter, type in a new URL, and give it to the people!

Sometimes it's good to do something that you've never done before, so yesterday, I went out to buy Elton John's new album.

I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.

I like to go to the gym with my girls, practice yoga, try new recipes, bake, have slumber parties, go to the beach, have adventures, book hunt, shop for new records, or road trip somewhere... anything that keeps me laughing and excited about the day, really. I like feeling free to do what I or my friends want to do on our days off.

I have never planned anything. 'Kung Fu Yoga' was also never planned or anything.

I was 22 and had worked on Wall Street for a year, and quit my job. I bought a motorcycle and sort of had this fantasy that I'd go cross-country like 'Easy Rider.' I went from New York to L.A., and on the way back, I stopped in Chicago and saw a friend of mine who was into improv. And I figured it might be fun to give it a shot.

I miss the energy of New York City and being able to step out of my apartment and see so much unique culture all the time around me without having to seek it out. In L.A., I have to sort of seek out everything I'm trying to do. It makes it less spontaneous.

The great thing about New York is that you don't have to set out to do anything. Whenever I go without the kids, I walk all day and see the most interesting stuff. There's always some kind of drama playing out.

When you go to set, they just go, 'OK, let's see what you guys do!' The camera moves around what you initially feel.

Oh, how I regret not having worn a bikini for the entire year I was 26. If anyone young is reading this, go, right this minute, put on a bikini, and don't take it off until you're 34.

You see a child play, and it is so close to seeing an artist paint, for in play a child says things without uttering a word. You can see how he solves his problems. You can also see what's wrong. Young children, especially, have enormous creativity, and whatever's in them rises to the surface in free play.

The child inside of you knows how to take things as they come, how to deal most effectively and happily with everything and everyone it encounters on this planet. If you can recapture that childlike essence of your being, you can stay 'forever young at heart.'

In the Sixties, there were no guidebooks to Asia, at least none that suited young shoestring travelers. No one on the hippie highway carried a copy of Fodor's 'Islamic Asia.' The route to spiritual enlightenment wasn't revealed in the pages of the latest Baedeker. Intrepids were on a journey of spontaneity and reinvention.

People use the Method as a shield; it shields them from being vulnerable. I hear all these young actors who are like, 'I'm Method, I'm gonna go live in the house, you know, I totally get it, I've done it, I've been there', but one thing I know is it kills spontaneity.

After I quit the U.S. Ski Team, there was a fair amount of, you know, grief that follows that, and I just wanted to take a year off. And I had a friend that lived in Los Angeles, said I could crash on his couch. And so I just kind of did the first really spontaneous thing I'd done in my young adult life.

It's fun to play for the 12- and 13-year-olds. The looks on their faces are amazing. Young kids don't have social anxieties. They'll yell things out and sing loudly.