Quotes About Spontaneity

Magic happens when everything is spontaneous.

Whatever it is, music should sound spontaneous, I've derived a great deal of pleasure from playing jazz and having the knowledge of that spontaneity.

I'm impulsive, spontaneous; I have a joy in my life today that doesn't quit.

One needs to be gregarious and spontaneous to be a good anchor. I am working on that.

I think I live life really spontaneously. That drives people crazy.

So the actual riffing came out of us just sitting there and doing it the way I think some people think we really did it, which is all spontaneously, and it really was.

My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.

I'm not a person who can spontaneously say funny things.

I think my mouth just opens and I spontaneously say things that occur to me.

Rather than set aside daily time for prayer, I pray constantly and spontaneously about everything I encounter on a daily basis. When someone shares something with me, I'll often simply say, 'let's pray about this right now.'

There's not much in the way of written-down arrangements - just things that Gerry and I have worked out, from playing spontaneously together and hanging on to whatever seems to fall in right.

I've always gravitated towards songwriting that happens easily and spontaneously, because those have always been my best songs.

Living each day as if it were your last doesn't mean your last day of retirement on a remote island. It means to live fully, authentically and spontaneously with nothing being held back.

I like going into a scene knowing that the script isn't quite finished, that there's something that isn't really going to reveal itself until something spontaneously occurs.

I used to love going and playing jam sessions, doing things spontaneously. I can't do that anymore. Everything you do is documented, nothing is casual anymore.

My formula is not thinking about what I'm doing; it's about still having fun and making music. I don't go into the studio with a thought pattern or certain goals in mind - sometimes I'll start with drums, other times I'll start with the piano - but it's all done spontaneously, so nothing is premeditated, and nothing takes a long time.

Generally, I wouldnt spend a lot of time on a solo. Id try to catch something out of the air spontaneously.

I love improvising on the spot. I like that pressure.

When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.

Sukumar comes from a very different school of working style. He never shoots with set dialogues and scenes. Most of it is improvised on the spot. He'd tell me, 'Rakul, if this is your character, how would you behave? Show me.'

Keerthy Suresh knows how to improvise and reworks her expression on the spot.

A mimicry artiste should be spontaneous and he should be able to crack jokes on the spot.

But I like some chaos on the sets which brings in spontaneity both in the cast and the crew. If the actor knows his or her spot, where the light comes from and what lines to say, it's a rehearsed performance.

A lot of times we would feed off of the crowd. A lot of things that we were doing in the match was called on the fly. For example, Ric Flair and I would go into a match and have a couple of spots and moments set up. And then, of course, we would line up the finish. But the rest was called on the fly.