Quotes About Spontaneity

When you work without a script, you are in a sense working in a much more improvisational way than when you are prepared totally.

Improvisation helps because you get what's on the page and you make it a little more palatable to your tongue. And that's the beauty of creating and being spontaneous. That's the way I love to work.

It's such a great thing to work with people and not have a plan.

I never outline. I don't work from an outline. I have no idea where the book is going. I mean, even two-thirds of the way through, I don't know how it's going to end.

When I'm interviewing somebody I don't work from prepared questions.

Life is eternal game, there are no rules. Indulge yourself.

I like to think that we've got a plan, so let's stick to it. That said, once we've stuck to it, we're allowed as much improvisation as anyone cares to indulge themselves in.

Weezer isn't stuck in roles, so we just do what we want to do, what makes us excited.

I used the name Diplo at one show when I was really young, and it just stuck. I never meant to keep it. But it's kinda cool.

Scenes change all the time. Scenes will change while you're shooting them, and you just have to roll with it 'cause that's what makes it funny. It's not being stuck in your character and how you're gonna do something, but to react to other people and to really have a real-life conversation.

Improv is mostly what I've studied.

I studied structured improv, where you start from one position and see where it takes you. I like spontaneity. If you set yourself up to do the same thing every night, you may not connect as well to a different audience.

My comedy doesn't come from any calculations and studies.

My ideas come when I least expect it, so I've always got to have a studio nearby or close by somewhere.

When I get into the studio, it's not about trying to get a good song, it's about whatever comes naturally.

There are times pop music is the end result when I'm in the studio, but I don't really go in and say, 'Today I am going to make a pop song,' but it can happen.

Working improvisationally in my studio with dancers, it's completely different. We don't have any starting point; we don't have an end point. We don't have anything we are trying to show or do. The picture evolves from nowhere.

I just go in the studio and write on the spot and see what comes out.

Usually, in the studio, on this sort of thing... you just go out and have a play over it, and see what comes, and it's usually - mostly - the first take that's the best one, and you find yourself repeating yourself thereafter.

I ran into Snoop one night. I was in the studio later, and I got this beat and thought he would sound great on it. I called him and he came right through that night.

I have a rough idea when I walk into a studio though.

I didn't study; I live.

I just want to keep doing a bunch of stuff that I don't really plan. I'm so fortunate and lucky that people keep giving me these platforms. Because I'm kind of a crazy person.

The fun stuff comes when someone is not so strict on sticking to the script. You're allowed the spontaneity, and great moments can happen.