Quotes About Spontaneity

I really had no program or any established plan. I didn't even ask myself if I should sell my paintings or not.

I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.

I don't think things through very often - I don't project into the future about how a situation will turn out.

I want another idea, another project, but you can't make them up. They show up.

I'm not prolific, I go over stuff and it goes for me and sometimes against me. I'm annoyed that I don't do enough stuff off-the-cuff. It's a difficult thing to do something quickly and stand behind it.

We weren't wearing shoes on a full-time basis until prom.

Befikre' is not just about two characters. There is another very prominent third character, and that is Paris.

My eyebrows - they have a life of their own. I don't arch them on purpose; I don't do, like, arching exercises or anything, I promise!

With this album, I tried not to think too much. If I heard a song that I loved, I promised myself I wouldn't over-think it. If I loved it and if I wanted to cut it, I would.

The first time that somebody handed me a sheet of paper with a promo on it, it was like a 'throw up in your mouth' kind of moment. And it's not, like, their fault, you know? It's not the writers' fault. But if was my world, there would be no written promos; there'd be no scripts.

I love my last-minute lifestyle because I just sort of don't have plans, and things kind of happen. Plans make me annoyed a little bit, personally. I'm not the most prompt, on-time person.

There used to be no bound scripts and the dialogues were given to us on the day of the shoot. There were no proper makeup rooms.

I guess that if I was a normal cartoonist who did things properly, I'd think up the background information first and then come up with the story. Saying that, you'd think that I don't really think through anything.

The word 'improv' always makes me feel a little anxious because I always feel like we'll have to pull props out of a bag and find 800 different ways to talk about a stick, the way you do in theater school.

In prose, if you forget a line, you can say something else in the same context.

The dripping... well, if it happens, it happens; it does not take anything from the work. The dripping just proves that you were not trying to control the work, but the work was developing by itself and if it drips, it's a natural part in the evolution of the work.

Don't be polite. Bite in. Pick it up with your fingers and lick the juice that may run down your chin. It is ready and ripe now, whenever you are. You do not need a knife or fork or spoon. For there is no core or stem or rind or pit or seed or skin to throw away.

She did not plan; she merely let herself go, and the overwhelming life in her did the rest.

My courage is faith--faith in the eternal resilience of me--that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high and my eyes wide--not necessarily any silly smiling. Oh, I've been through hell without a whine quite often--and the female hell is deadlier than the male.

I don't want to sound like Pollyanna, she began, but you haven't grasped me yet. My courage is faith- faith in the eternal resilience of me- that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high and my eyes wide- not necessarily any silly smiling. Oh, I've been through hell without a whine quite often- and the female hell is deadlier than the male.

My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male.

Strange children should smile at each other and say, "Let's play.

Laughter is easier, minute by minute, spilled with prodigality, tipped out at a cheerful word.

My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity