Quotes About Travel

no combination of one-week or ten-day vacations will truly take you away from the life you lead at home.

The traveler sees what he sees," wrote G. K. Chesterton in the 1920s, "the tourist sees what he has come to see.

They are spending plenty of time and money on the road, but they never spent enough of themselves to begin with. Thus, their experience of travel has a diminished sense of value.

The secret of adventure, then, is not to carefully seek it out but to travel in such a way that it finds you.

Long-term travel isn't an act of rebellion against society; it's an act of common sense within society.

The traveler was active, he went strenuously in search of people, of adventure, of experience," Daniel Boorstin opined in 1961. "The tourist is passive; he expects interesting things to happen to him.

Thus, the question of how and when to start vagabonding is not really a question at all. Vagabonding starts now. Even if the practical reality of travel is still months or years away, vagabonding begins the moment you stop making excuses, start saving money, and begin to look at maps with the narcotic tingle of possibility.

A vacation, after all, merely rewards work. Vagabonding justifies it.

In reality, long-term travel has nothing to do with demographics- age, ideology, income- and everything to do with personal outlook. Long-term travel isn't about being a college student, it's about being a student of daily life. Long-term travel isn't an act of rebellion against society; it's an act of common sense within society. Long-term travel doesn't require a massive "bundle of cash", it requires only that we walk through the world in a more deliberate way.

Work is how you settle your financial and emotional debts—so that your travels are not an escape from your real life but a discovery of your real life.

Certain activities—sleeping, eating, reading, socializing, wandering—will become a fixture of each day. This is good and well (routines make your day more efficient, after all), but you should be careful not to let your days or destinations blur together. Once this begins to happen—once you feel yourself getting jaded to the long haul—it's time to mix your travels up a bit.

Vagabonding is about gaining the courage to loosen your grip on the so-called certainties of this world. Vagabonding is about refusing to exile travel to some other, seemingly more appropriate, time of your life. Vagabonding is about taking control of your circumstances instead of passively waiting for them to decide your fate.

vagabonding begins the moment you stop making excuses, start saving money, and begin to look at maps with the narcotic tingle of possibility.

Buvau jaunas, jaunesnis nei maniau. Ir vis d?lto mano naivumas buvo jau senas ir be iliuzij?. Ties? pasakius, jis amžinas: ?žvelgiu j? kiekvienoje naujoje kartoje, pradedant 1947 met? Sen Žermen de Pr? "žiurk?mis" ir baigiant Kalifornijos beat generation , pas kuriuos kartais apsilankau, nes man smagu kitose vietose ir kituose veiduose atpažinti grimasas, kurias darydavau dvidešimtmetis.

Când c?l?toresc împreun?, oamenii afl? o gr?mad? de lucruri unii despre alÈ›ii, se descoper?. E drept c? majoritatea r?mân în picioare în lift, f?r? s? se priveasc?, verticali È™i È›epeni, pentru a nu p?rea c? invadeaz? teritoriul celorlalÈ›i. Lifturile sunt niste cluburi englezeÈ™ti, numai c? se st? în picioare, cu opriri la etaje.

The more you travel, the better you get at it. It sounds silly, but with experience you learn how to pack the right way. I remember one of my first trips abroad, travelling around Europe by rail, fresh out of high school. I brought all these books with me and a paint set. I really had too much stuff, so I've learnt to be more economical.

This was how it was with travel: one city gives you gifts, another robs you. One gives you the heart's affections, the other destroys your soul. Cities and countries are as alive, as feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.

People wonder why so many writers come to live in Paris. I've been living ten years in Paris and the answer seems simple to me: because it's the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.

In my errant life I roamed To learn the secrets of women and men, Of gods and dreams. I've known all the countries of our world, I've lived a thousand lives: Many lives I lived in love, Other lives I squandered. For in my life I never traveled, All I did was wander.

This was how it was with travel: one city gives you gifts, another robs you. One gives you the heart's affections, the other destroys your soul. Cities and countries are as alive and feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.

I met Anne in the autumn... Autumn, that wild season when rural men rack orchard trees with sticks and weep with the desire to kiss faraway Demeter's supple breasts—to set lips to her travel-swollen eyes. They seek goddesses, but I desired only Anne.

In my errant life I roamed to learn the secrets of women and men, of gods and dreams. I lived in wealth and poverty, in fame and calamity. I saw every country of our world, I lived a thousand lives. Many lives I spent, other lives I squandered, for in my life I never traveled, all I did was wander.

Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman.

Strangely, Indians travelling outside the subcontinent do not seem to have left itineraries of where they went or descriptions of what they saw. Distant places enter the narratives of storytelling only very occasionally. Notions