Quotes About Steven Spielberg

I was working with Tom Hanks and Steven Spielberg when I was nine years old.

For actors, when you first get the project and you see that it's a Steven Spielberg, Tom Hanks and Gary Goetzman-produced project, right away, from an acting standpoint, you go, 'Wow. That'd be great to be part of that. What a career move that'd be.'

I worked with Steven Spielberg on 'AI,' and his level of preparation was extraordinary. He told me there was a time at the beginning when he was a bit more spontaneous and went over budget, and it absolutely wrecked his head. When you look at the power and assuredness of his movies, it makes sense that he works out so much in advance.

I saw 'Tintin' in Europe - it is 'Indiana Jones' on steroids. Unbelievable. What a fantastic movie. Steven Spielberg, you rock the house. And working with those young English guys like Edgar Wright, and also Peter Jackson; what a great combination.

I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'

I am an American Jew and aware of the sensitivities involved in the Israeli-Palestinian conflict.

Steven Spielberg is unique. I feel that the kinds of movies he loves are the same kinds of movies that the big mass audience loves. He's very fortunate because he can do the things he naturally likes the best, and he's been very successful.

The light was misty and actinic, the sort of light to make Steven Spielberg reach for his copyright lawyer.

From the day I started to think politically and to develop my own moral values, from my earliest youth, I have been an ardent defender of Israel.

The only person who can, with impunity, make the movie he wants to make, has got to be Steven Spielberg.

I do get in the water, but I was ruined by 'Jaws' 'cause I saw it when I was 13. Before that, I used to get in the water everywhere and never thought twice about it. After watching 'Jaws,' I was scared of the water. I have Steven Spielberg to thank for giving me another phobia.

Retaining a child-like sense of wonder is a boon for creative types like Steven Spielberg and J. K. Rowling.

I have never before, in my long and eclectic career, been gifted with such an abundance of natural beauty as I experienced filming 'War Horse' on Dartmoor.

People often tell me how much they love the digital skies that we obviously painted for 'War Horse.' Well, there's not a single sky that we put in through special effects. The skies you see in the movie are the skies that we experienced - but it was definitely challenging at times.

I don't make unconventional stories; I don't make non-linear stories. I like linear storytelling a lot.

I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.

Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.

I laughed when Steven Spielberg said that cloning extinct animals was inevitable. But I'm not laughing anymore, at least about mammoths. This is going to happen. It's just a matter of working out the details.

'Jurassic' is a legacy and a classic. Steven Spielberg created something pretty spectacular. It's actually really interesting, when I look at it, I ask, 'How has my life changed since being Lex?' And I can literally walk into just about any city in the world and people will know who I am.

I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies.

Steven Spielberg was my idol growing up. I knew that all of his movies have a very specific message and point of view, and the always are really epic.

I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'

When I won the Oscar, I fell into that mind-set that this is a precious role. People everywhere were shouting, 'Show me the money!' I just didn't want anything that could parody the fact that I was like a tagline in a movie. So when Steven Spielberg offered me 'Amistad,' I said no; when 'Hotel Rwanda' came along, I said no.

By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.