Quotes About Locations

The construction of 'Sekiro''s world is based on that of traditional Sengoku, or medieval Japan. To that end, we made sure to reference a lot of written materials on that period as well as actually visit several locations.

I do actually like to visit haunted locations.

Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.

I never think about it much, the visual aspect of it, until we start making the movie. I don't really think about it when we write. When we finish, and I start putting the film together, and we pick the locations, I do think about that a lot.

There's a lot of two-hander dialogue in 'True Detective,' and I needed to place those guys in locations where there were other levels of visual storytelling. It didn't necessarily have to move the plot forward, but it had to add tone or add to the overall feeling.

I shoot reality-based movies, and in actual locations, shooting them with a star is next to impossible.

Haryana has some beautiful places for film shoots.

I've never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps one day, I'll bring my daughter to see them, if she's interested.

If you're doing movies on a set... many times, I've shot the end of a movie in the first week of shooting. Because of locations or budgets or actors' availability.

He sometimes thought of a crime scene as a woman's body. Every man naturally took interest in a few specific locations and largely ignored the rest. It was those other places—the skin at the base of the neck, the dimple on the lower back, the pad of her palm—where he could make a difference. A crime scene was no different. It was a woman who deserved to be explored completely. This was not an analogy Roger had ever shared with his wife.

Well, it's like this - I hate Los Angeles and I love Phoenix.

It was like two different photographers, and shot in three different locations and it was really fun to do. There were 12 beautiful girls in it. It was great.

I have been to the South several times. The picturesque locations were a real treat for the eyes and I also love the culture.

I was excited to come to Australia to shoot for Seafolly because I've been wanting to visit since I was young. There wasn't much time to explore because we were so busy, which happens often during shoots. We had to take a boat to the Whitsunday Islands every day to get to the locations, which was a great way to start the day.

I've shot films in locations that have seemed haunted. I shot a film in a maximum-security prison in Russia. Part of it was on a psychiatric ward - there were definitely some creepy vibes there.

We have always had many more franchisee candidates than available locations.

From a scientific point of view, we now know that the water is interlaced with the lunar soil in many locations, perhaps as remnants of comet collisions with the lunar surface.

There's no way you can shoot low-budget stuff on lots of locations. It's just a practicality thing because every time you move, it costs time and money.

A high-level government agent was arrested today for selling secrets to Russia. They now have all of the exact locations of our back-to-school headquarters.

Things always evolve and change on location, especially due to the nature of travel and the waves. A lot of unexpected things happen. Often we get lucky, but we also find ourselves scrambling a lot, especially when we are looking for waves in the remote spots of those locations.

There are so many beautiful locations in Rajasthan, so many beautiful locations in our India that have not been explored. Foreigners come and explore such places, but we fail to see those locations with that perspective.

Film, you get to go to other locations and live the culture for a little while. You also form a strong bond with your cast, which is a lot of fun. Plus, you only have to live with the character for a couple months at a time.

In Egypt, I do survey work on the ground. That's really the most important part of using satellite images. You know, it helps us to find potential locations for sites, and then we get to go there on the ground and confirm what we've seen.

'Longmire' is an incredibly hard shooting schedule because the locations are usually an hour away every morning, and I come home every weekend. I fly back to L.A. for about 26 hours a weekend, just to touch base back at home. It's a lot of work. It's four really intense months.