Quotes About Sequence

Causality expresses the pattern which the mind imposes on a sequence of events in order to make their appearance comprehensible.

infinite possibilities are available if you follow a pertinent sequence of creative action.

Escape codes let you "escape" from the humdrum, routine interpretation of a sequence of codes and move to a new interpretation. As we'll see in later chapters, shift codes and escape codes are common when written languages are represented by binary codes.

She thought about how this summer was small. On the ground, it felt huge, but really, it was just a moment in a series of moments.

By and large, strategy comes into play where there is actual or potential conflict, when interests collide and forms of resolution are required. This is why a strategy is much more than a plan. A plan supposes a sequence of events that allows one to move with confidence from one state of affairs to another. Strategy is required when one might frustrate those plans.

It is never seven that you count to, before you do something difficult. It is never at the count of two. It is always three, and it is strange.

It is never seven that you count to, before you do something. It is never at the count of two. It is always three, and it is strange.

Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense.

I ate the 100 Grand bar first, and then the Kit Kat

If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back.

A story should have a beginning, a middle and an end, but not necessarily in that order.

I find that albums generally tell a story. Because it's music, it doesn't have to be in chronological order.

It's weird - on almost every film I've worked on, the first sequence we storyboard ends up being the first sequence that goes into animation, and ends up being almost shot-for-shot the same.

I really don't storyboard unless it's an action sequence of some kind, but I plan carefully.

As a storyteller, dates and time equal context.

One can also use compactifications to view the continuous as the limit of the discrete: for instance, it is possible to compactify the sequence / 2,/ 3,/ 4, . . . of cyclic groups in such a way that their limit is the circle group = /.

Set the hostname of a router. The command sequence to set the hostname of a router is as follows: enable config t hostname Todd

Waeges, Menog, and Oestara." I named them from right to left. "Autumn, Winter, and Spring.

It's important to remember that every good story has a beginning, a middle, and an end, and it's up to us to figure out how to get from one to the other.

The oil sequence was about two or three days. It was very cold and was snowing.

I really believe that what happens one day affects the next, and I think that came from that experience of learning that if I told the score inning by inning, play by play, it built up to its natural climax.

One of the things you have to be acutely aware of when shooting episodes out of order is your character's relationship with the other characters.

If they know nothing of death, it is because they know little of life, for the secrets of life and death belong to those, and those only, whom the sequence of time affects, and who possess not merely the present but the future, and can rise or fall from a past of glory or of shame. Movement, that problem of the visible arts, can be truly realised by Literature alone. It is Literature that shows us the body in its swiftness and the soul in its unrest.

Every good story-teller nowadays starts with the end, and then goes on to the beginning, and concludes with the middle...