Quotes About Adaptation

I got over the whole British eating-with-hands phobia very quickly when I was working with Oxfam in Tanzania.

I wish the 'Dark Phoenix' saga had been done more effectively than it was, but that was out of my hands.

It doesn't take a cell phone to make a person rude. There are rude people all over the place. But people are learning. I have never heard a cell phone ring in the movies. We are going to learn how to live with the advantages of new technology.

I don't even have a cell phone. I don't know how they work.

I used to walk miles to make a single phone call. Look how things have changed today.

There are all kinds of features that will become part of cell phones that will help us offload the more laborious things of life and let us focus on doing the things humans do well, like abstract thinking and creating.

Our rules need to keep pace with current technology so that Americans who use hearing aids can easily use phones.

A good example of the modern world is the Eurotunnel. And mobile phones - I like them.

I'm not good at Blackberrys, cell phones, or packing.

As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.

When it comes to photo shoots, there was a clear moment for me when I thought, 'I'm going to have to enjoy this because it's going to be a part of what I do.'

There's no more film. Film is gone. We photograph digitally and electronically. We don't really use film the same way anymore - it's disappearing little by little. Things change. We have to change with them. There's no point in liking or not liking it. It is what it is.

You don't necessarily get the background of a character every time, So, you have to create it mentally and write about it. This is something I learnt from Geetanjali Kulkarni with whom I worked in 'Photograph.'

I was known as a 35-mm photographer with a view-camera mentality.

Not long ago, every time I did a picture shoot for a magazine, the photographer would ask me to show up wearing jeans and cowboy boots. They seemed to think I was a hillbilly. Now it's different. Now they're not quite sure what to make of me. And I show up wearing whatever I want.

I am one of the last photographers to convert to digital.

I used to be a photographer - and now I'm some kind of digital photographic artist.

When I started performing, there was no Internet; I didn't really have anything to copy. I kind of had to just make up what I thought burlesque was, based on photographs of Sally Rand or whatever.

I was not getting work, even after auditioning for films. So I started working in a studio as a photographer; I assisted a cinematographer for two ads. I was thinking that I will get into photography or cinematography or assist someone. But then the 'Dangal' offer came, and I was busy with the auditions.

I'm really into my photography and am trying to catch up with digital generation - I was used to the old 35mm cameras.

I did painting before I did photography.

To me, traditional approaches to doing photography and thinking about photography feel increasingly anachronistic.

Photography brought a lot to painting because it forced artists to think about what painting could do that photography couldn't.

Photography was inspired by painting, cinema by theatre and photography, I don't believe that any new art form was ever created from scratch.