Quotes About Adaptation

Those first few overs are obviously the most difficult time because you don't know what the ball is going to do in the air and off the seam.

For me, human beings have a very difficult time changing. It's one of the hardest things to do.

There are no insuperable constitutional difficulties.

It's normal to have early difficulties when you get a new manager with a new concept.

By the nature of cinema and how it literalizes what we envision, movies can have difficulty replicating that connection we make with a classic book.

Some people hate the remixes, some people think it's cool. If you don't like that type of music and just like rock, you probably won't like it. But if you are open to more things, you just might dig it.

If I can keep it light in between scenes, then that helps me dig down further than if I try and stay at that constant place all day. That's just me. Every actor's got their thing. But that's what I do.

I use humor as a way to digest anything.

ATM is still a cash channel; we want to migrate it to the digital channel.

Digital downloading of music has affected us all in adverse ways.

Digital, it is not the destination.

I'm sure I'll go back again and record in the digital process.

We've had a digital revolution, but we don't need to keep having it. And I'd like to look after that, to look what comes after the digital revolution.

If it's digital, it will be cognitive. If you think that, you're going to change the way you run a business.

I think the media world is adjusting to the digital age.

It is possible that the digital world may change the need for physical branches. We will continue to add branches incrementally, but we will reach a point - whether it is 1,500, 1,800 or 2,000 branches - where we will say enough is enough.

We want the digital world to bend to your physical life, your real emotional life as a person, and we don't want you to bend to computers.

It's not my thing to dance in my living room on a livestream, so I'm really having to figure out ways to elevate the digital world and bring it to the level that I've held my drag at for so long.

I have written about cultural dislocation, and I understand the corrosive effect of diminished expectations.

By 1949, there was no more work for me out there, and I went to New York in 1950 and just did whatever I could. Mainly television. Some Broadway. A lot of dinner theater work, which is not a very satisfactory medium.

I mean, in rock music terms I'm like a dinosaur.

I wouldn't call myself a dinosaur.

I think the game's evolving - it always is. You don't want to be a dinosaur. You want to evolve with it.

I guess I'm in a state of becoming. Even though I've had a full career and I've been around a long time, it's like dinosaurs are coming back. It's all new. I'm having to be on my own and seeing how exciting life can be now.