Quotes About Adaptation

I knew if I waited long enough, the Republican Party would rock.

Working in Italy can be quite hard because they don't have schedules - we arrive at TV shows and they're like, 'We're not sure when you're on, could be a minute, could be an hour.' We were on their equivalent of 'The Voice' and the timing was determined by whenever the judge decided the time was right. We waited five hours!

I once joked in a book that there are three things you can't do in life. You can't beat the phone company, you can't make a waiter see you until he is ready to see you, and you can't go home again. Since the spring of 1995, I have been quietly, even gamely, reassessing point number three.

I once joked in a book that there are three things you can't do in life. You can't beat the phone company, you can't make a waiter see you until he is ready to see you, and you can't go home again.

I like L.A. It's like a mini break. For a writer, it's hilarious. Like the food. Where I come from, we eat chip sandwiches: white bread, butter, tomato catsup and big fat french fries. It's delicious. Here, you order a creme caramel and the waiter says, 'You know, that contains dairy.'

In 2008, Milton Sheppard opened the Waiter Training School in the Bronx, N.Y., charging $175 for courses, but the business soon ran out of money. He now operates a clown college in the same space.

Particularly when you're making a movie of a book, people are always waiting with their knives - you know?

I used to let a lot of unimportant things bother me. I don't anymore. Right now, things are going great in my life. It used to be when that happened, I would be waiting for something to go wrong. Now I don't expect that - if something negative does happen, I'll deal with it, learn from it and realize it is the way it is supposed to be.

Because too much of my life was spent waiting to be seen. Hoping to be seen, hoping to be picked. Once you realize that you aren't looked at that way any more, other things start to happen and you have to depend on other things to get by.

When new things come along, some people always want the newest of the new - 'This is what I've been waiting for!' - and some people don't want or need the change - 'I like my old one.'

We survived for hundreds of years under the old banking structure. You'd have clearing banks, then merchant banks doing the racy stuff, and then building societies where you'd join a waiting list for a mortgage. But then banks started buying stockbrokers, doing mortgages, and you ended up with these big banking groups doing everything.

I remember that at the beginning of the month, the kind of menus my mom and father would prepare for us would have fish, chicken. But at the end of the month - because my father would be waiting for paycheck - the refrigerator would get empty. I remember that without a lot of food left, some of the best meals happened right there.

In a world where discovery is more important than delivery, it's the people who find, remix and direct attention to old stuff that should be rewarded, not the people who deliver it or sit on it waiting for someone to show up.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

The indie world changed when the economy went south. I was frustrated with doing something, then waiting for it to come out, and sometimes it never did, or would just play in New York for 50 people. So I really wanted to try something else.

When I moved to New York to act I was no good at working restaurants - hosting, waiting, bussing, dishwashing - I wasn't good at any aspect. But I did have a guitar. So I would sing 'Me and Julio Down by the Schoolyard,' but you would only hear the chorus because the train comes by every 30 seconds.

By nature, I'm a person who always says that whatever I've done, I could've done better. But I don't dwell on it because I'm waiting for the next time something happens and try to believe that my past experience will have helped to educate me in terms of how I deal with future ones.

Apple doesn't need to maximize book sales. It simply needs to keep publishers happy enough to maintain an impressive-sounding inventory of titles while waiting for entirely new forms of publishing to develop.

There is nothing worse than sitting in the make-up trailer knowing that the whole crew are twiddling their thumbs waiting for you to change your hair from straight to curly or up to down. Sometimes it can't be avoided.

When you're adapting, you are working on someone else's problem that they have already solved. The work has been fine-tuned and read countless times, and you're just arriving at the end and taking what you want, so of course it is the regal way to moviemaking. Plays are just the ideal scripts - the structure is there and waiting for you.

Where the 'Bay of Pigs' invasion failed, undoubtedly the tourist invasion will succeed in forever changing the landscape of island. What comes next in Cuba? The answer is that many Cubans aren't waiting around to find out.

As a coping mechanism, or as a way to make a little hard count by shilling demons in the shadows, I try not to belittle the thought process of the conspiracy theorists. As a cocktail waitress in Vegas once schooled me: never get down on anybody else's hustle.

Working for several years as a waitress, you learn really quickly a couple of default scripts, so you know exactly what the interaction is going to be when the person sits down at the table.

I'm the girl that waits for the director to say, 'I like that,' or 'Can you boost it up?,' or 'Can you pull it down?' I'm that kind of actor. I started in theater, so that's the feedback that I'm accustomed to. It's the feedback that I really thrive off of.