Quotes About Adaptation

I'm a recovering politician.

It's never about the screwup - it's always about the recovery. That's the thing about it... if it comes out a little rare you call it carpaccio. It comes out a little overcooked, you shred it up and put in on a sandwich.

Change doesn't happen often, but to a certain extent in some way, I think when you get into recovery and you stay there, you change.

At the end of the 2017 season I was on the brink of retirement and I had a decision to make: quit playing or do things differently. I chose to do things differently - with my approach to practice, recovery, nutrition and many other things.

You don't want to try to recreate something you've already done.

Each generation must recreate liberty for its own times.

Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.

Those who fear that we are losing our individualism couldn't be more wrong: Americans have never been more free to create and recreate themselves.

I don't ever think it's a good idea to try to recreate the success you've had before; it's all about chasing something fresh and new.

I see publishers bemoaning their fate and saying that this is the end of publishing. No! Publishers will recreate themselves. Some of that comes from my experience as a print publisher.

It bothers me when musicians listen to music from the '60s and try and recreate it. Those people weren't trying to recreate music from the '20s. Why do it?

Initially, it would bother me when filmmakers, script writers, dialogue writers and choreographers tried to recreate a bit of my dad though me.

You can never go back to a time and try to recreate that sound, because that time is done.

I learned what I need to do in the long jump, what I needed to do in the javelin and I've been able to rectify those events. It's been a bit of a learning curve, which is good.

We work with every one of them to see if their character wouldn't say a certain thing or if something is worded awkwardly - we work with them to rectify that.

I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.

It is always good to keep learning. Every day things change and we should recycle ourselves every day.

I think we would all like to believe that every new event demands a new word. But we're environmentally conscious with our words. We recycle words we've got.

We were in recycling before recycling was cool.

Recycling old buildings to show art is very important.

In about 2002, I moved from Manhattan to Brooklyn, to Red Hook.

And in 'Frisco Kid' and in 'The Woman in Red' I had to ride badly. Then you have to really ride well in order to ride badly.

The days of red carpet disasters are kind of over.

I grew up on red meat and corn. But I don't eat like that anymore.