Quotes About Technique

You used to be taught to let the ball go as far as possible and then drop it on the runner, whereas now it might be even more advantageous to direct the ball in front of the bag and get the guy on the leg.

'Spellbound' has a lot of guitar playing on it, obviously, but I wanted to keep it with a more straightforward beat. It doesn't have so many stops and things like that. Whereas if you listen to 'Majestic 12,' that's like a little symphony.

Men's is at a fast pace and focused on strength, whereas the women's is full of finesse and more skilful - and I think that's what the public have to associate with; male and female football is very different.

Sometimes, when I break my hands, I kind of go too far behind my body, and what that will do, wherever my right arm's going to go, my left arm's going to go.

Make a conscious effort to loosen your hands and let your arms feel soft when you're at address. Take the club back a bit shorter, and feel as if you're cracking a whip on the way down - not tensing up to smash something hard.

When I throw the hook, I think of my arm as a whip with a rock attached to the end.

When you use the whip, it makes the loudest crack. It's a very, very difficult weapon to use.

I'd really like to be able to whistle with two fingers. Is this a biological thing? Is it to do with the teeth? Who teaches people to do this? How do I learn?

I think that zinc white has a property of scaling and cracking.

There is more to the game than hitting it far. There are ways to make birdies other than hitting 350-yard drives. I pride myself on a good short game; I work very hard at it.

Cleaning up that lack of the definition between the two, and then leaning on the four-seam, having it become my primary fastball over my two-seam, it's just benefited me as a whole.

But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.

I consider it essential that the photographer should do his own printing and enlarging. The final effect of the finished print depends so much on these operations.

I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.

The animation of the canvas is one of the hardest problems of painting.

Golf is an awkward set of bodily contortions designed to produce a graceful result.

Our job as producers is to make the music sound as good as possible.

Architects, sculptors painters, we all must return to the crafts! For art is not a 'profession.' There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman.

That's the whole part about being a deejay: You've got to make sure you are prepared. At the end of the day, you do have your genre - house music, dance music - but there are many different ways of playing that.

I feel that when it comes to acting, Shahid and I approach roles differently.

Dime knew the importance of every aspect of playing the guitar.

It's kind of dangerous to cut in the camera, but that's the only way I know how to direct.

I want to discover more things about acting.

I know how to control the distance, I know how to counter real good.