Quotes About Connection

I want to tap into everyone's senses, to touch on our human sensibility.

I make music for people to relate to and to connect with me. I want to tap into different emotions.

I think we all have the ability to tap into this inherent connection that really connects us all.

I was in L.A. with my wife in a restaurant, and I spotted my great hero David Bowie at another table. Of course I wasn't going to bother him. Then I felt a tap on my shoulder, and it was Bowie, and he squatted down to talk to me. David Bowie came down to my level - so gentlemanly.

Jaden Smith is a good friend of mine. We've got that song that just dropped on the 'Rich Forever II' tape, and we got a couple other songs that we have in the cut.

My day one fans - my fans from my mix tape days - know my life now. They know where I've been. You don't want to have a disconnection with those fans. You have to give them all of you because they feel like they've known you.

I think, a lot of times when you meet someone, you feel like you need to appear like you're not interested in them so that they'll be more interested in you. But what happens when you start showing him that you actually like him? What's he gonna do then? Play the tape forward; how do you keep a guy like that? I don't want to sign up for that.

I don't even know how people managed without the Internet years ago. Having to mail a cassette tape of your music to strangers over the course of months... I just can't imagine having to do that.

In a serious relationship, I will definitely write music about a guy. I'm totally into mix tapes and I'm all about small little things. I'll drop by their door and just leave a gift or come over if they're sick and make them chicken noodle soup and rent a DVD and play board games. I think those little things mean a lot to someone.

The process was remarkably cathartic. I'd sit and listen to my father's voice - having not heard some of these tapes for 30 years and hearing his voice laying me down for a nap, our giggles and cooking dinner - and I remembered all those wonderful days. Normal days.

It's something we, guys, have all done. Made tapes for girls, trying to impress them, to meet them on a shared plane of aesthetics. Read them someone else's poetry because they do poetry better than you could do it, because you're too awkward to do it.

My grandmother loved country music, and she's the one who really got me into country music. She had George Strait tapes, a bunch of them. I remember listening to tapes, taking them out, the covers and the back.

The rich emotional tapestry of being a mother, becoming a mother, connects you to your own mother. I didn't realize how much I'd become her. I pass a mirror, and am surprised by how much I look like her.

Thinking of Internet chat rooms or AIM as a kind - there's such an intimacy and honesty to tapping on your phone, despite how quick people are to damn digital means of communication as emotionless or too abstract.

Singing in church is a very different approach to music. It's very much about transcending the idea of self. It's about finding something greater that connects all of us. Gospel music is about tapping into that.

If you operate under the premise that everybody already has some experiences that could be sources of empathy for them, I wonder if there's some process of coaxing people into tapping into that knowledge.

I've always said that, first and foremost, I make films for New Zealanders. They're my target audience. Then after that, if people appreciate my stories from outside this country, then that's an added bonus.

I prefer when movies target my heart instead of my mind.

With every year that passes, I get further away from my target audience, and while I've been happy to think of myself as a father figure to these kids, I'd be a little distressed to be thought of as a grandfather figure.

I've come to accept who my readers turn out to be, rather than having some sort of demographic target.

The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize.

One of the first places I was ever recognized after 'The Office' came out was at Target in Los Angeles. Someone came up to me, and she said, 'Are you Phyllis from 'The Office?'' We were in different aisles, but she had recognized my voice.

I could not find any way that we could really run the kind of campaign I wanted to run if we were targeting delegates and still trying to talk to people, which is what keeps me going as a human being.

Above all, we must be conscious of the primary pedagogical task, namely that we must first make something of ourselves so that a living inner spiritual relationship exists between the teacher and the children.