Quotes About Connection

I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.

Filmmaking has always involved pairs: a director coupled with a producer, a director alongside an editor... The notion of couples is not foreign to cinema.

I first got involved with Mel Brooks through 'The Elephant Man.' Everybody knows now, but they didn't know at the time that he was the producer.

Whenever I work with different artists, I expand as a song writer, as a producer, and I always want to try and find the bridge between my world and their world.

My producer, HH, makes sounds, so I'm writing to his beats.

When you're working with a producer, there has to be chemistry.

Years ago, Barry Diller asked me to be a judge on a pilot for an inventor show on USA, and when it was over, the producer, Ken Mok, took me out to dinner and really got me talking. It was a long dinner. Afterward, he said, 'One day, I'm going to write your movie'.

You can't be in a bubble being a producer. You have to keep up on what's happening at all times.

We can be in the studio with the hottest producer, but we might not be able to create any magic! It's not about the hottest. It's about who we feel we have that connection with, and that's who we're going to be working with.

My connection with South films began with a Kannada film and with producer Ramu, in particular.

I get a lot of love from Delhiites. My producers tell me that my films do really well here.

I think I'm a people person. I get very attached to people. And I've become so attached to all the people on my show, the cast, the crew and the producers.

I can honestly say that the fans inspire. There's an unexplainable rush that comes when I'm in the middle of a set and the energy from the fans hit me. I also get really inspired through collaborations. I've learned so much from the emerging producers I've worked with just as they've learned from me.

I believe there is no other way to create decent livelihoods for the world's poorest people than to connect them to global markets as producers, and on fair terms.

When you're dealing with a bunch of different producers, you gotta make sure the chemistry fits.

The Broadway community means the world. That goes for the actors, that goes for the crew, the producers, the writers, and most importantly, that goes for the fans. The Broadway community is one that I will always hold very near and very dear to me.

It's about removing the barriers between producers and consumers. I want to get rid of that mindset so that people realize in order to create, you have to participate.

It also was never a secret how loved Paul was, but seeing and hearing the way that everyone talked about him, from producers to crew, made it so obvious how much Paul was loved by every person we came across.

You want a great product, you want things that resonate with people and make them dance.

To be interested in food but not in food production is clearly absurd.

People are hungry for community. They're hungry for meaning in a society that is oriented around the production and consumption of consumer goods.

It was nice working with a jolly team in 'Gangaa.' I was well-acquainted with the production team, which was same on 'Balika Vadhu.'

He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.

I just want to keep on creating stuff that people can relate to and inspire anyone who feels like their voice isn't heard; being relatable and being as authentic as possible is the whole goal of my production company.