Quotes About Connection

My fans do deserve to see me back out on the road.

Every time we watch a little story play out inside our head, we're fantasizing, whether we realize it or not, and it seems to me that, though succumbing to fantasies about other people can be dangerous or self-defeating, the act of fantasizing itself is also an essential part of being human, of being capable of both abstraction and empathy.

I've got really fantastic fans from all over the world.

I think a dream date for me is some kind of fantastic conversation where you end up learning something really wonderful about a person.

I was a big fan of Ron Howard of course, so it was fantastic to meet him.

I wanted to keep working because work was essentially fantastic - you got to be around people, you got to be in a family, and that family changed from job to job. It was like being in the circus.

Daytime has been successful all these years because it caters to a very real need in the audience - to see something that's not nighttime fantasy. People watch daytime because it's like their lives.

I wanted to be as far away from everybody as I could be. I found it difficult to be close to anybody, not just the guys in the band.

Sometimes it is easier to play someone who is far away from you.

When you feel like a musician you listen to is like you, then they don't feel so far away, and whatever you want to get to isn't so far away.

I really feel like we have drifted too far away from real America.

I guess there's something about you don't know why you're attracted to a character, but you're attracted to them enough to want to - it's like when a song comes on, and you feel like dancing. You don't know why; you just want to dance. It's hard to analyze that feeling, and if you do, you get far away from it.

I never want to feel too far away from people. I think that's when you get in trouble.

I enjoy where I'm from. That's me. And my family never let me get far away.

When we think of community, we think of some sort of nebulous, faraway group of people rather than the men and the women who touch our daily lives.

My family love Khruangbin's faraway soundscapes.

At least three times a week, I'm approached by someone who says something about 'Fargo.'

I see a lot of my children. They're around the house all the time on the farm, you know.

My dad farmed, my granddad was a farmer. I wanted to be a farmer.

I think the only real knowledge I had before I went to Iowa was what I learned from 'Food Inc'. But once I got there and developed these extensive relationships with the farmers, I realized that we're basically made of corn.

Understanding where your food comes from, trying to bolster local farmers and local economies and having a better connection to the food around you and the people around you, only good can come of that. I love to be involved with things like that.

That's the power of film. If it's good, it can somehow make you feel connected to even the farthest thing from your own experience.

I love relationships; they fascinate me.

I'm fascinated by female relationships.