Quotes About Connection

Dad passed away in 2000, but he visits me all the time. He comes to me in different ways. So I have that connection with him, and that comforts me, to know that in time I can come back and still have that with my kids. It's not unfamiliar to me, that connection with the afterlife. I know it's real; I experience it all the time.

Brantford was the fixed point of my universe, growing up. Both sets of grandparents lived there, with various cousins and uncles and aunts, and no matter how far we'd moved off, we came back there for regular visits. In a way no other houses have ever been, my grandparents' houses were 'home,' and the sale of the last of those houses was hard.

When I was seven months pregnant with my son, my mother and I took a trip to El Salvador, where she's from. Frequent visits with her to see my extended family have taught me how different life can be if you are born into poverty.

As a child growing up in Bucks County, Pennsylvania, my connection to my Indian roots came from summer visits to New Delhi where my grandparents lived.

All of Bengal knows about my differences with my father. He's based in Mumbai. I never visit him. He never visits me. We are not enemies. But neither are we friends.

I was living with my mom in a tiny apartment in Chula Vista, near Third and H Street behind the 7-Eleven. It was crazy to be on the phone with Stevie Wonder. I felt like a meteor hit our apartment!

We see parts of each other, and we put them together. But if I want to see you in totality, you need to move away; we need space between us. Across the street, I can see all of you at once, but then I also see this huge vista of space surrounding you, coming in and compressing you.

I am a spiritual person. I'm a Catholic. I treat my patients, the dead patients, as live patients. I believe there is life after death. And I talk to my patients. I talk to them, not loudly but quietly in my heart when I look at them. Before I do an autopsy, I must have a visual contact with the face.

I wanted to create this dialogue between music and visual art and vice versa. No matter what part of the spectrum they fill, whether it's visual, music, or whatever, artists are interested in other art forms. Your brain is already kind of firing in that way.

As human beings we're visual creatures, and it's so easy to play the guitar by looking at it. It's a real challenge to go from that visual way of perceiving the guitar to getting back to that pure sound connecting to the instrument.

High Alpine meadows, like their near relatives prairie, desert and certain varieties of wetland, teach us to consider the world from a fresh perspective, to open our eyes and take account of what we have missed, reminding us that, in spite of our emphasis on the visual in everyday speech, we see so very little of the world.

I come from a family of storytellers. Growing up, my father would make up these stories about how he and my mother met and fell in love, and my mother would tell me these elaborately visual stories of growing up as a kid in New York, and I was always so enrapt.

I think there's a connection with 'Nightcrawler' and 'Blowup' and other films where visual imagery is integral to the story. It allows you to play with images.

Jazz vision is a wordless conversation between musical notes and visual expressions.

You can sustain visual beauty and innovative visual ideas for a certain length of time, but in a two-hour experience, which is really what movies are, usually audiences - whether they know it or not - most want an emotional connection to character.

I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.

Hearing about a visual artist's approach can change the way you think about songwriting.

If the reader doesn't care or relate to the characters, all that visual spectacle is pretty but feels empty.

Music is more than words. It's a visual experience, too, and people really feel my music because of the way I move and put on a show.

When you write music that you are very passionate about, being able to bring the visual aspect of it alive with the music is what ties everything together.

I found that it wasn't so oddball to like music and poetry and visual arts, they're kindred spirits.

First of all, magicians practice a lot. It requires a lot of discipline. Second, you can't be afraid to be a leader, to go onstage, and you learn to have presence. You need to be able to visualize and connect and create. Most important, you learn to think outside the box.

I love to sell, to visualize something for someone and make them see it.

How do you visualize something you've never seen and just imagined, through someone you love very much?