Quotes About Connection

I first met Linda Lawrence in March 1965 in the green room of 'Ready Steady Go!,' the British pop TV show. Linda was a friend of one of the co-hosts. She had an art-school vibe, and after a brief conversation, I asked her to dance to a soul record playing. As we jazz danced, I fell in love.

I definitely think that my vibe has rubbed off on Drake a bit.

I like Naga Chaitanya a lot. The first time I met him, I could see a chilled, relaxed vibe about him.

I am vibe oriented and am able to read people right most of the time.

I definitely strive towards something I think of as a hallucination of music. That's always been the OPN vibe. I think of it as mostly a felt thing, and a koan of feeling that is shared between me and OPN fans. We know what it is when it gets there.

When you come to Memphis you get the family vibe. All of my partners, friends, they're from my neighborhood.

Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with the audience.

I think the rebuilding of the city has to start with the spirit first. So the music, the vibe, the connection spiritually with the artists. Everybody out here is the main key. A lot of people are still in a lot of tough situations. My heart still goes out to the people of New Orleans.

I think that people vibe off your energy and I'm a pretty mellow person.

J.J. Abrams and I met, and we just had this incredible kind of vibe between us.

I always wanted a family environment, a community where a creator like myself could connect and vibe with other creators without feeling competitive.

There are games where I go a whole game without saying a word. There are games where I'm talking the whole game. It really depends on the mood and vibe that I'm in that day.

When you do acoustic shows, there's always a more intimate vibe. I go into them with lowered expectations and assume that people don't want to hear me.

It was just music all day... My neighbors were musicians, and my brother and my family and everybody... It was just a musical neighborhood. I think the neighborhood was such a good family type of vibe for me that I didn't even realize some of the people weren't my real family till later on in life.

What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.

I've been to Australia several times, and I just like the earthiness; it's part of the culture. That's a really good vibe to be around.

I get my jolt of energy in New York. I get mi familia vibe in New York.

I quite like to, y'know, chill and catch a vibe where you can actually talk, as opposed to standing on the floor in the club.

If I'm not making plays, I can't get the crowd going. When I'm making plays, that's where I can feel a vibe and can get into it with the crowd.

I connect so much with Peter Gabriel's sound because, to me, he always had that South African vibe. His drums were always something to move to: it was almost like Calypso. I'm a big fan.

I love the London vibe. I get so much love from London that I never had from other places. It's crazy. The people there understand music so much more.

I'd love to do a collaboration with an Ellie Goulding or a female English artist - Laura Marling or something. Somebody cool that I could have a good vibe with and maybe sing a duet with.

I love the small-town vibe.

To be honest with you, the fact that people vibe with my music is just a really positive byproduct of something that is just a reflex to me. The fact that people even care to listen means a lot to me.