Quotes About Roofs

If you look from a distance, you observe a sea of roofs, and have no more knowledge of the dark streams of people than of denizens of some unknown ocean. But the city is always a heaving and restless place, with its own torrents and billows, its foam and spray. The sound of its streets is like the murmur from a sea shell and in the great fogs of the past the citizens believed themselves to be lying on the floor of the ocean.

Lud-in-the-Mist had all the things that make an old town pleasant. It had an ancient Guild Hall, built of mellow golden bricks and covered with ivy and, when the sun shone on it, it looked like a rotten apricot; it had a harbour in which rode vessels with white and red tawny sails; it had flat brick houses - not the mere carapace of human beings, but ancient living creatures, renewing and modifying themselves with each generation under their changeless antique roofs.

The Portuguese and Hebrew words had been finished here and there with high, distinctive arches that sloped backward over the letters they adorned: the roofs of the Portuguese letters sloping to the left, those of the occasional Hebrew verse to the right, the long unbroken lines proceeding down the page like successive rows of cresting waves approaching a shore, one after another, dizzying.

I am going to design... a Station after my own fancy that is, with engineering roofs, etc.

A map of Esmeralda should include, marked in different colored inks, all these routes, solid and liquid, evident and hidden. It is more difficult to fix on the map the routes of the swallows, who cut the air over the roofs, dropping long invisible parabolas with their still wings, darting to gulp a mosquito, spiraling upward, grazing a pinnacle, dominating from every point of their airy paths all the points of the city.

He has done with roofs and men,Open, Time, and let him pass.

Collapsed roofs "hung at an angle and looked as if they were still sliding down, perpetually falling, like a waterfall." Leningrad now literally resembled one of the fractured Cubist landscapes of the 1920s avant-garde — or, as Ginzburg remarked, one of Vsevolod Meyerhold's stage sets.

Does the light still slant into my chamber in the evening, just before it disappears below the city's roofs? Do you miss me? Even a little? Does anyone ever go and stand before my portrait?