Quotes About Opportunity

I'm not actively seeking stardom. I just go to auditions, and I knock on wood.

I've never been one of those actors who plays chess with his career and goes, 'I'm going to wait now and see what project comes up that can move me to this or that level.' I take stuff as it comes, and it just so happens that it hasn't dried up yet, touch wood.

When someone needs copper, or wood or an ag product, and they invest capital somewhere to make that happen, and people get jobs from that, and that good gets introduced to the world stage and it gets traded and moved, the whole world benefits.

'In Search of Excellence' - even the title - is a reminder that business isn't dry, dreary, boring, or by the numbers. Life at work can be cool - and work that's cool isn't confined to Tiger Woods, Yo-Yo Ma, or Tom Hanks. It's available to all of us and any of us.

America has given me everything Australia couldn't. I grew up on a dairy farm. Now I live in Isleworth, a gated community in Orlando with Tiger Woods down the street.

I've been doing theater for a long time, so that's something I understand. I'm such a babe in the woods when it comes to TV and film. I'm still learning. It's exciting.

If Tiger Woods had played football, he would have been a quarterback.

I was dirt-poor. I could barely hold down a job. Eventually, though, I started getting small parts on shows like 'Smallville,' 'Supernatural'... and lots of really bad sci-fi movies. I was running around the woods in wolf contacts, covered in fake blood made out of pancake syrup, roaring.

To have the opportunity to work with Tiger Woods was just so awesome. I enjoyed it. I enjoyed the challenge. I enjoyed the good parts where he was winning. And I enjoyed the challenge to help him get better. But six years was enough.

After doing 'Pitch Perfect,' I didn't expect to do other musicals, but then I was offered 'The Last Five Years' and 'Into the Woods,' which are two of the greatest pieces of theater that I can think of. So obviously I wasn't going to be like, 'Oh I'm trying to really stay away from musicals right now, so thanks, but I'll pass.'

I tell my students that with a 200-page novel, you are going to write 100 pages that don't make the final cut. See it as an opportunity, although it took me a while to enjoy that 'lost in the woods' feeling.

The first film where I had a speaking role was 'The Low Life,' but I did appear for about three seconds in 'Straight Talk' with Dolly Parton and James Woods. I had a line, and it was cut. It was alright: I got my AEU card anyway.

We didn't have cable TV. We just couldn't afford it. But you don't need cable to watch the Masters. In 1997, at the exact moment I started out, I watched Tiger Woods win the Masters.

I opened the Woodstock Festival even though I was supposed to be fifth. I said, 'What am I doing here? No, no, not me, not first!' I had to go on stage because there was no one else to go on first - the concert was already two-and-a-half hours late.

There's always been an element of 'right time, right place' to Nine Inch Nails. When we stepped onstage at Woodstock '94, I could sense it. I get goosebumps thinking about it now. Like, 'I don't know how we did this, but somehow we've touched a nerve.'

My first film that I got right after 'Spring Awakening' was called 'Taking Woodstock,' and Ang Lee was the director.

Woody Harrelson played a long-term love interest of Debra Messing's; I think it was for a whole season. They almost cast Nick in that part. They almost had given to him. But at the eleventh hour, Jim Burrows put in a call to Woody, and he said he would do it.

I was in Woody Allen's Stardust Memories in 1980. It was only a bit part and I didn't get to speak but I felt that I was in a real movie and heading where I had always wanted to be.

No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled.

Woody Allen has a wonderful line: 'Today I'm a star. What will I be tomorrow? A black hole?' That's very important to know - that you have the moment, then you lose the moment. You have to see your chances, you have to take them, and you also have to see when you don't have chances to take.

I would die if Woody Allen ever called and said, 'Emma, I have a role for you.'

Obviously, if Woody Allen calls and says he wants you to read a script, of course you read it.

I wanted to work with Mike Leigh. I had my list of British people I wanted to work with, and I wanted to work with David Lynch and Woody Allen.

If Woody Allen called me, I'd be there straight away. Who wouldn't? Truly.