Quotes About Opportunity

I always said I just wanted an opportunity with Madrid, and that has come.

I actually got a play from auditioning for something in 'Back Stage' magazine.

Hard as it is to believe, there were three magazines fighting over me. 'Newsweek' wanted to keep me, 'ESPN The Magazine' was coming into existence and wanted me, and 'SI' wanted to bring me back. Isn't that amazing? I had a choice, like a free agent.

The magic is you can change more things than you could ever dream of.

Art gives us an opportunity to not have to leave or go somewhere or do something to experience the magic in our lives. It actually gets us to sit back and be where we are and recognize we're already magical.

Not every magical moment in your career is going to happen on the biggest stage of the year.

It's really exciting to get to be the main character of something.

You never know how much you can do in practice because you never know if you're going to play or not, but the main thing is stay ready.

The main thing for me is getting in the starting eleven and making an impact whenever I can come on.

When I see the ball in the air, it's mine. The main thing is to just go and get it.

We must provide our kids with the skills they need to stay and succeed here in Maine - that's something we all agree on.

In 10th grade, I started playing defense. Mainly because we already had a great tailback. Once I started playing it, it just started growing on me. I liked it a lot.

I'm based in L.A., mainly. I'm pretty much there a lot of the time doing work.

My focus is mainly on education. I believe education made all the difference for me, and it is certainly going to make all the difference for other children, too.

I want to work with Song Joong Ki sunbae again who I worked with in 'Vincenzo.' I learned so many things from Song Joong-ki sunbae but it's regrettable that we mainly filmed together only in the second half.

In India, freedom has to be about equality - mainly between men and women in terms of education and work.

For me, it was important to keep my name in 'mainstream Hollywood.'

I just feel like, at any moment, a drag or a trans or a gender-diverse artist that doesn't fit in a box is ready to break into the mainstream. I want to do my best to put myself in the best position to have that happen for me.

I've always been told that because of 'Main Hoon Na,' a lot of female filmmakers have come up but I maintain that direction is a 'genderless' job.

It is a tough business but if you get yourself in a situation like I, you can maintain a career over many years. That, to me, is a successful actor.

I've always maintained that people that are funny and smart can do anything in film.

That's the thing about pinch-hitting - you usually have a chance to make a difference in the game.

Doesn't make a difference who you're auditioning for; whatever it is, you have an audience, and you have a role, and you have the opportunity to perform that role the best you can for this audience. If you look at it like that, it doesn't make a difference if you get the part or not.

Getting the chance at 40 to make up stories that other people would draw and other people would then read is pretty weird.