Quotes About Opportunity

In 1981, I borrowed 2,000 pounds - a lot of money back then - paid 50 quid for a seat, packed my own sandwich, and hopped on a plane to America. It was a mighty leap, but one that paid off. A week later, I got a job called 'Remington Steele.'

It seems there always something coming up for me during Masters week, but that's not an excuse to play good or bad golf.

I also played with Jimi Hendrix. Jimi would come down and sit in with Retaliation and we would have a ball. He offered me the gig with him at 20 pounds a week, which at that point, was like 60 bucks.

You have to be on top of your game, train hard every day, and try to convince the boss throughout the week that he should put you in the team.

You want to be a trader, come be a trader. The door's open. You want to travel six days a week, you want to travel the world, the door's open.

I had this mentality that I had to go out to everyone's show so everyone at the end of the week would come to mine - that I had to go out and rub elbows, find exposure. A small part of that is true. But if something is good, people will notice when you put it out.

Money has to be an explosion of excitement and opportunity, yet we already secretly know that it doesn't do what it promises. Nothing has ever given us as much pleasure as our pocket money when we were 12, or our first wage at the end of that first exhausting week, paid in folded cash.

It's so hard in the NFL, man. You spend the course of a long week preparing for one opportunity. And once you get that opportunity and you get in that moment, it's just an amazing feeling. It's something you should celebrate about, something you should be excited about.

If you do television, and it's great, it's the best job there is. Every week it's another opportunity to really make that work and figure out how to make it work better. I love that it's like theater too, and the audience, and it's so short, like twenty minutes... It's like a Haiku or something.

The only thing that scares me in the tech area is that it moves so fast that you have to be ready to invest in 20 things. Because if you just invest in one, next week, somebody has a better mousetrap, and you get taken to the cleaners.

So one day, in a fit of trying to do something different, I just dyed my hair dark brown and got my first role a week later, after which I thought: 'People are closed-minded, man! Like a different hair colour changes everything!'

To play today in London, next week in Madrid and the week after that in Warsaw is a bit better than playing Newark and Baltimore and Philadelphia. I've been doing that for 20 years.

My first job after graduating was working with Robert Zemeckis. I got a job a week after graduating and moving to L.A. So I got to work on 'What Lies Beneath' and 'Castaway' as a PA, which is basically like a gopher.

A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'

Man, I live in Nashville. I know how good other songwriters and singers are around here. There's a wealth of talent in this town, not to mention the people who shoot in for a week or two to try their hand on lower Broad or the other venues around town.

I went from a very structured life in Oxford going to school every day to suddenly a week later I was living in Budapest for eight months. It's a big change so I feel I've changed so much from that experience as a person.

When I first started playing I was earning 27.50 a week, and Id offer to clean the senior footballers cars for a couple of quid. Id sweep the stands in the off-season and even paint the changing rooms.

This is the good thing about commercials, is one week I'm working with Derek Cianfrance and the next week I'm working with another really good friend.

Every week brings to us 10,080 minutes That is our capital. How shall we use it to get the utmost benefit?

I feel like being a door person was like college in a sense. I could watch comedy on a professional level seven nights a week without paying, and they would pay me a nominal amount of money to be there.

I think education was the key for me, and that's what I tell kids. That base in the classics gave me something to springboard from, which I wouldn't have had if I'd come out to Los Angeles early and been guest punk of the week on 'Hill Street Blues.'

Then I was actually meant to be going home but for some reason I decided to extend for a week. Then on the final day by extension, finally an audition came through, and it was 'Into the Badlands'.

Of course, the best thing, if you play in the Premier League, you can always develop further as a player, and you are playing against the best players. You are also playing game after game all the time, two or three games a week.

I put a song on Soundcloud, and Annie Mac made it record of the week, and a month later, I signed my record deal.