Quotes About Opportunity

I used to watch a lot of American and British television as a child, which helped teach me the language and accents; it was partly that which landed me the part of Roxy in a London production of 'Chicago' when I was 25.

Import and substituting imports with domestic production are a big opportunity. With a devaluation of the rupee, imports get expensive, and for Indian manufacturers, this creates a huge opportunity.

I was drafted and went to Korea where I had an opportunity to create a production team that did dramatic and comedy shows. I had also done a little disc jockeying.

To be happy, to make other people happy, to get into movie production more and probably to give some other people the chances that I had, to carry on enjoying being a mum and never to stop having flowers bought for me. I've still got a long way to go.

I was very aware that my path into the industry would probably be as an actress and not in production, that I could learn a lot that way. And I did.

I got 'Delhi Belly' and 'Badmaash Company' because people from the production house had seen my stand-up comic acts in a DVD that was lying in their offices. It's been a weird journey, and I think weird goes with me.

Falling entry barriers and lower access costs have significantly democratised participation, whether in production or consumption.

I was the understudy to the understudy in a year-two production of 'Big Chief Red Feather.' The boy who had the lead broke his arm, and then the understudy got chicken pox. And I loved it. I got to wear the most feathers in my headdress.

I would love to learn how to start my own production company and start it in Boston.

During college days, I started working with a line production company.

It fell into my lap. I grew up doing dance classes. And one day, a film production company contacted my dance school looking for background dancers. I wasn't looking for it. It just happened. And I found myself on set. And that was that.

In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions.

I feel blessed to be working with a banner like Dharma Productions.

I have always admired Meghna Gulzar's work, and getting to work with her and the Dharma Productions is like a dream come true.

I decided I'd never do a series again, but I was offered a pilot for a series through Eddy Murphy Productions, and that was the gig that got me Parker Lewis.

I was lucky - the first eight productions I auditioned for, I got cast.

I do always feel very proud and flattered by being asked to be a part of American productions playing American characters.

I would like to see more new productions of new material by new composers/lyricists/book writers. I would like to see people take more chances. I think because everything costs so much they're not taking the chances they used to.

In my opinion, the BBC are one of the best producers of drama in the world, and it made me incredibly happy to get the opportunity to be one of the leading men in one of their productions.

If women choose guerilla style filmmaking or new media productions, etc., all power to them. But if they're there because 'Big Hollywood' won't let them in, then we're moving further and further away from equality.

In school productions, I was always villager No. 7. I was never at the front of the stage dancing and never had any lines.

I will direct films be it my own productions or outside. It's not like I am here only to direct Salman.

I have always wanted to work with Rajshri Productions.

If we could find a way to totally empower half of the brains in America, imagine how much more productive we could be.