Quotes About Growth

I need the seasons to live to the rhythm of rain and sun.

I was real skinny in high school. I was real fast and explosive. I just didn't really have a good nutrition plan; I didn't understand how important it was to be healthy. I was eating hot fries, potato chips in the morning, Capri Sun. That was like my breakfast. That changed when I got to college - I put on 20 pounds of muscle.

I consider myself a laborer, building my career brick over brick under the sun.

The sun shineth upon the dunghill, and is not corrupted.

I'm exploring the maturity, the wisdom that just comes from having gone around the sun 50 times. My experience is, 'Oh, I'm never really going to get it right. I'm never going to get it done. But that's not the point here.' The point is the journey.

When I was really young, I wanted to grow up and be the sun. Which shows an early penchant for ambition or narcissism or grandiosity or delusion - all of which are bellwethers for becoming a writer.

What is it about summer that makes children grow? We feed and water them more. They do get more sun, but that probably doesn't matter as much as the book they read or the rule they broke that taught them something they couldn't have learned any other way.

I've directed 'Raisin in the Sun' five times. You keep discovering things. You keep on seeing things in the script that you never saw before. That's what great pieces of art do.

Look at the Weimar Republic and their hyperinflation in the early '20s. It didn't happen overnight. I've used the analogy, it's a lot like soybeans: you plant 'em, you wait. Conditions take some time. You need some sun; you need some water, but ultimately things start to grow, and are we in that phase or not?

It takes a while to establish a character. Richard Boone once told me he didn't really get the character in 'Have Gun - Will Travel' until the 16th show. You just plant a seed, water it, let the sun shine on it, and hope it blooms.

I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.

For me, Sundance always felt big. It's not the only way to make your way, but for me, it was definitely that critical link between struggling artist, kind of working on my own, to actually working professionally and being connected and being seen.

I certainly felt like my life had been enriched and had also changed forever when I took 'In A World...' to Sundance.

I played Sunday junior football for 6-7 years. Then I was at Stansted for two years between 19 and 21.

I always go to church on Sundays and Bible study on Tuesdays.

When I started playing well all I wanted to do was win. Which was a problem. When it became clear I wasn't going to win, I would get fed up. I played poorly on a few Sundays, finishing 50th because I wasn't interested in finishing 30th. But I've learned not to do that.

I think it's something to do with the nurturing side of the psyche; tying up a sunflower or whatever and helping it grow, it is just some kind of core human experience.

I remember my first role as a sunflower at nine.

After Silk Route disbanded I came on my own, and through the years, I have sung a few film songs while writing songs for my album.

I've always sung in choirs and acapella groups, but when I was in college, I finally started writing songs and playing with a band, and that ignited a desire to do it full time and pour everything I had into it.

I can perform easily; I don't mind getting up in front of people at all. I've always sung and felt confident about that, and guitar playing isn't a stretch, but songwriting is. We all have our challenges in what we do, and that's mine.

Think about a seed. Once it lands, it's stuck. It can't move to find better soil, moisture or sunlight. It's able to create every part of itself to grow and reproduce with the help of air, water and sun.

The work evolves when you get another part, and then you're getting called on to solve difficult characters, to inject a note of humanity into them. It's more interesting for me to do that than to stand around and be sunny.

Dogs are a really amazing eye opener for us humans because their lives are compressed into such a short period, so we can see them go from puppyhood to adolescence to strong adulthood and then into their sunset years in 10 to 12 years. It really drives home the point of how finite all our lives are.