Quotes About Studios

When I see a lot of the big Hollywood movies, I see they are all financed by Indian studios.

I think, sometimes with fans, what a lot of studios miss is it's just the gesture: it's the idea of knowing that they do matter, that we do care about what they think.

It seems like the studios are either making giant blockbusters, or really super-small indies. And the mid-level films I grew up on, like 'Back to the Future' and all those John Hughes movies, the studios aren't doing. It's hard to get them on their feet.

Hollywood studios bury that stuff - actors who punch directors in the face and try to run producers over with cars - insanity, criminal behavior. But the studios are invested in that star, they can't have that person's name dirtied up.

'Bolt' was made by Walt Disney Animation Studios, not by Pixar.

I remember showing Prince around Warners' recording studios. He was the nicest kid.

Electronic musicians are quite like writers or painters. They are quite isolated in their home studios. We often don't have that the opportunity to collaborate with that many people, like in rock or jazz.

I don't see a lot, but I think what the movie studios know and what they always know but they kind of ignore, which is that a there's an audience for movies like 'Get Out,' and 'Hidden Figures,' and to some extent 'Moonlight,' which made a lot less money than 'Hidden Figures' did.

I like to think I'm making films in the film business where movies are making enough numbers for the studios to let me keep working, but you also want those films to have content that makes you proud you made the film. That's not easy, but it's a fun puzzle to figure out.

Studios are like hospitals. A lot of people check in, and they don't check out.

You have to work to be relevant. If you don't, then people will forget, and the studios won't want you because they won't remember the last thing you did that made money.

Audiences can be leery of sequels; the studios make a hit, they see dollar signs, and they make a cheap rip-off.

I don't have a stack of scripts that, when I get home, studios are clamoring, saying, 'Has Bob read ours yet?'

My focus - even before becoming CEO - has always been memorable and unique content. And one of the most important things we did to reinforce that was create A+E Studios.

Basically, the big studios and companies distributing your movie just take a big cut of profit for making posters.

You knew everybody at all the studios and you saw them often.

More and more what we're licensing, we're licensing on a global basis - even though the studios aren't orchestrated to sell that way yet, my bet is that they will.

I park two blocks away from Nickelodeon studios and I hop on my skateboard and I skateboard the rest of the way to the studio.

When I first started in the business, it was hardly ever done. But today, it almost feels like studios go out and preview movies knowing full well that they're going to use the information they get to go back and reshoot.

Getting a movie made is a miracle... because the studios are only interested in making 'The Avengers.'

I go to studios and dance all the time. And that's something that will always be instilled in me. That was always my first passion from the time I was 3 years old - dance.

Because I don't give the studios advanced quotes or an advanced look at my reviews. I think the readers deserve to read my reviews before the studios do.

I like studios. I just don't like bureaucracies.

To be quite honest, I've been very blessed when I've worked with Hollywood. The studios that have purchased my work to be adapted to film have really liked the work and wanted to stay as close as they could to what the book was.