Quotes About Manuscript

You know, my first three or four drafts, you can see, are on legal pads in long hand. And then I go to a typewriter, and I know everybody's switching to a computer. And I'm sort of laughed at.

With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can't get a clean manuscript unless you start again from scratch. It's an incredibly tedious process.

I don't read anything electronically. I don't write electronically, either - except e-mails to my family and friends. I write in longhand. I have always written first drafts by hand, but I used to write subsequent drafts and insert pages on a typewriter.

Most of my early work was done on typewriter. And the only way to iterate drafts was to re-type it.

I became a connoisseur of that nasty thud a manuscript makes when it comes through the letter box.

I was the type who looked at discussions of What Is Truth only with a view toward correcting the manuscript. If you were to quote I am that I am, for example, I thought that the fundamental problem was where to put the comma, inside the quotation marks or outside.

by now it is more pleasurable for a monk to read marble than manuscript, and to admire the works of man than to meditate on the law of God. Shame! For the desire of your eyes and for your smiles!" The old man stopped, out of breath.

Books can now be on the stands within days from delivery of a formatted manuscript, and often are.

I had already drafted the manuscript that would become my first book by the time I graduated from college, but I had no idea what to do with it.

If we are perplexed by an apparent contradiction in Scripture, it is not allowable to say, The author of this book is mistaken; but either the manuscript is faulty, or the translation is wrong, or you have not understood.

I confess to your Charity that I have learned to yield this respect and honour only to the canonical books of Scripture: of these alone do I most firmly believe that the authors were completely free from error. And if in these writings I am perplexed by anything which appears to me opposed to truth, I do not hesitate to suppose that either the manuscript is faulty, or the translator has not caught the meaning of what was said, or I myself have failed to understand it (Ibid., 82.1.3).

Within, there were several ponderous brazen-bound volumes of medieval date, a thin manuscript of yellowing parchment, and two portraits whose faces had been turned to the wall, as if it were unlawful for even the darkness of the sealed closet to behold them.

when I was taken to the concentration camp of Auschwitz, a manuscript of mine ready for publication was confiscated.1 Certainly, my deep desire to write this manuscript anew helped me to survive the rigors of the camps I was in.

I had intended to write this book anonymously, using my prison number only. But when the manuscript was completed, I saw that as an anonymous publication it would lose half its value

I had intended to write this book anonymously, using my prison number only. But when the manuscript was completed, I saw that as an anonymous publication it would lose half its value, and that I must have the courage to state my convictions openly. I therefore refrained from deleting any of the passages, in spite of an intense dislike of exhibitionism.

I have an office in my house, with a comfy red print reading chair and a soft cream-colored desk. After I walk Winston the Wonder dog and have my breakfast, I head to my office. Every single day. Sometimes, when I'm working on revisions, I print off my manuscript and go to a coffee shop to work. But mostly you can find me in my office.

My most important goal as a romance writer is to satisfy readers by creating memorable characters, offering insights on life, and, most of all, touching hearts. I derive the greatest satisfaction when I hear from readers who have been genuinely moved by my books and/or who identify with the characters or situation. I also confess to reveling in the feeling I get when I type "The End" on a manuscript.

What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.

I handwrite out all my lines. I like to see my handwriting, and I like to keep my notes over time.

Let's find and remedy all our weaknesses before our enemies get a chance to say a word. That is what Charles Darwin did. ...When Darwin completed the manuscript of his immortal book The Origin Of Species he realized that the publication of his revolutionary concept of creation would rock the intellectual and religious worlds. So he became his own critic and spent another 15 years checking his data, challenging his reasoning, and criticizing his conclusions.

Here he produced two immense folded packets, which appeared each to contain a whole ream of closely written manuscript. They had been the labour of the worthy man's whole life; and never were labour and zeal more absurdly wasted.

Gaiman wrote the first draft in fountain pen, in several five-hundred-page, leather-bound sketchbooks that he purchased in a close-out sale. "I really wanted a second draft," says the author. "It's my experience with computers that they do not give you a second draft. Computers give you an ongoing, ever-improving first draft.

Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.

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