Quotes About Propaganda

Propaganda is necessarily false, when it speaks of values, of truth, of good, of justice, of happiness-and when it interprets and colors facts and imputes meaning to them. It is true when it serves up the plain fact, but does so only for the sake of establishing a pretense and only as an example of the interpretation that it supports with that fact.

Arousing an active and mythical belief" The aim of modern propaganda is no longer to modify ideas, but to provoke action. It is no longer to change adherence to a doctrine, but to make the individual cling irrationally to a process of action. It is no longer to lead to a choice, but to loosen the reflexes. It is no longer to transform an opinion, but to arouse an active and mythical belief.

Integration propaganda and the educated Let us note right away a final aspect of Integration Propaganda: the more comfortable, cultivated, and informed the milieu to which it is address, the better it works. Intellectuals are more sensitive than peasants to integration propaganda. In fact, they share the stereotypes of a society even when they are political opponents of the society.

To the extent that propaganda is based on current news, it cannot permit time for thought or reflection. A man caught up in the news must remain on the surface of the event; be is carried along in the current, and can at no time take a respite to judge and appreciate; he can never stop to reflect. There is never any awareness--of himself, of his condition, of his society--for the man who lives by current events.

A conflict between primary and secondary opinions will arise. One will dominate the other. Propaganda can exist only in societies in which second hand opinion definitely dominates primary opinion and the latter is reduced and driven into a minority position; then, when the individual finds himself between the two conflicting types of opinion, he will normally grasp the general, public opinion.

The poorest population The really poor cannot be subjected to integration propaganda because the immediate concern of daily life absorb all their capacities and efforts. To be sure, the poor can be pushed into rebellion, into to an explosion of violence; they can be subjected to agitation propaganda and excited to the point of theft and murder. But they cannot be trained by propaganda, kept to hand, channeled, or oriented.

The lovers of beauty must unite in a league, and carry out some great propagandist work through the country. They must demand the extermination of the bulldog and the dismantling of the cheap villa, both of which are responsible for a deal of our contentment amid ugliness.

Although thoroughly discredited and defanged, the Bund, in the public mind,

Today, Darlan gives me Algiers and I cry 'Vive Darlan!' If Quisling gives me Oslo, I will cry 'Vive Quisling!' Let Laval give me Paris tomorrow, and I will cry 'Vive Laval!

Pastor Hall was not the first anti-Nazi film to be barred by the board; in the previous two years, it had prohibited at least seven other such movies from being shown. At the same time, however, it allowed the release of Feldzug in Polen, a propaganda film produced by the German government that depicted the Wehrmacht's vanquishing of Poland in 1939 and portrayed Poland as the aggressor.

Even before the tragedy, Lindbergh had come to hate the mass-circulation newspapers, viewing them as "a personification of malice, which deliberately urged on the crazy mob.

As part of that effort, FDR authorized FBI investigations of his political opponents, who were branded by administration spokesmen and much of the press as subversives, fifth columnists, and even Nazis.

most controversial of these movies—one whose production had been virtually commissioned by OWI and encouraged by Roosevelt himself—was Warner Bros.' Mission to Moscow, which seemed more interested in saluting Stalin and his regime than in praising the grit of the Russian people.

In a regime where words are watched, lies are rewarded, and silence is survival, there is no truth. - Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad

Except we don't know if Shostakovich actually meant what he said in this article. We don't even know if it was by him. Especially later in his life, the regime would send Shostakovich articles already written and tell him just to sign his name at the bottom.

Shostakovich hated the way propaganda amplified his life and sought to make it heroic. It galled him. He was naturally shy. Fame was deadly in Stalin's Russia. It marked you out for destruction.

All the nations involved in the war used what we might call propaganda to change their citizens' moods. What is the line between art and propaganda? Art is, after all, supposed to affect our mood, is supposed to win us over to some understanding. And "propaganda" is often just what we call another nation's pride of country.

That year, it was as if the city was built of ideas and argument: People walked across a pavement of propaganda, and the walls were plastered with posters. Buildings were coated in debates. Type ran in every direction. Newspapers sprang up, printed a few issues in flurries, then died.

I meant that the Chinese people are not aware of their own entrapment. They believe they live in a free society, but don't realize how much they are being monitored and controlled, how much the information they receive is restricted and warped, until they step out of line, that is, and feel the heavy hand of the state fall on them.

Marx's dream of a workers' paradise had degenerated into an Orwellian nightmare; conformity was the highest good, informants kept watch on every block, whole countries lived behind barbed wire, and governments insisted that down was up and black was white.

Fascist is someone who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence and whatever other means are necessary to achieve the goals he or she might have.

Repeat a lie often enough and it begins to sound as if it must—or at least might—be so.

He used simple words and did not hesitate to tell what he later described as "colossal untruths." He sought to incite hatred toward those he considered traitors—the "November criminals" whose treachery had cost Germany the war—and he returned each day to what Nietzsche had called the ideology "of those who feel cheated": anti-Semitism.

the Fascist game plan: a single party, speaking with one voice, controlling every state institution, claiming to represent all people, and labeling the entire sham a triumph of the popular will.