Quotes About Band

The Doobie Brothers are one of my favorites of all time.

In 1996, I was in was in an acoustic kind of rock band, we were called Feeble. We were just playing locally.

I think the soul of Good Charlotte is just feeling good.

I did play the guitar and sing; I was in a band called The Estrogens: three females and one very brave guy.

I remember a festival we did in Denmark with the Clapton band where you suddenly realize it's an actual band - and you're on an equal stage playing music together.

I think what's more important to The Prodigy is that, whatever number your album goes in at, or the single, or however many plays it gets, or doesn't get, or awards you get, or don't get; our reward, as a band, is to write the best album we can and then go to Download festival and rip it to pieces.

We manage to bounce ideas off one another. Every band fights, but at the end of the day, we're very positive about the way we fight. At least we come out with a result.

Somebody said to me once that Chvrches was an emo band in disguise, but nobody had figured it out yet, and I thought, 'You're not wrong!'

I had been in a band in college. You kind of need to make a choice between going the music route or going the acting route. I chose acting, figuring I could always do the music on my own.

We just finished making a record. Everybody wants to play shows, so we're going to after that.

I was a drummer living in Los Angeles in 1990. I had finished music school and was playing with a band. It wasn't going as well as it should have been.

I'd never have left Hawkwind if I hadn't been fired.

There's a misconception that, as you have success with a band for a long time, things get easier, and that's not necessarily true. It's harder to keep connecting with that fire that got you started in the first place when you're amongst all the politics in the business, and just having a little bit of that looming pressure.

What we used to say was whoever had the bow tie got to lead the band. There was never any jealousy.

Originally, we had a band known as Steely Dan. As we moved away from the band, we got whoever was appropriate for specific tunes. In a lot of cases, we gravitated toward jazz players who had more sophisticated harmonic concepts.

We are different people - you get a different take on the band whoever you speak to. Somehow, at the end of it, it goes through the filtering process and out comes the Radiohead thing.

My dad taught me to play bass. He's a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn't show up for rehearsal that day, I would take their spot.

When we do find someone we trust, like our tour manager, they become an official part of the band. We take our time to make sure whoever we trust has our best interest in mind.

The rhythm, the sounds, the tonality, the chord sequences, the individual effect of each instrument and each section of the band - I'm talking about a whole continent in my music.

I got the whole band set up in the basement and we are jamming.

It is the Band which unites the Interests of Individuals; it secures to them their respective Rights, and preserves them from Injuries; it is the Source of numberless Blessings, which are interrupted, or wholly vanish, the Moment it is disturbed.

I think my music has always been a mixture, depending on whom I'm working with - what band, what musicians, what producer.

I mean, I wasn't fortunate enough to have ever experienced starting out with a band and sticking with them, so that would be interesting to me. People whose bands start out like that, when they break up it's always terrible.

We should be pointing out people's accomplishments rather than their looks, but if it can promote our band, why not?