Quotes About Band

I finished the recordings I had started with Eleven. Matt Cameron joined for the rest of those sessions.

I was really close to being this guy who used to be in this band who is still playing and trying to get some recordings together, but I got really lucky.

I had heard all the rumors and controversy swirling about the 'In Utero' recordings - there was a lot of, 'Oh, the record label hates it,' it was going to ruin the band, that kind of stuff.

You know, we have a long history of covering different periods of this band's development with a live record... a sort of live thing that would be done for three or four records, and that was the intention with this particular package.

Look, as long as we can make records and sell enough so we can do some shows, that's all I want. You know what? I just want to play guitar and be in a band. Same as I always did.

I was in a bluegrass band. I made two records with a band called the SteelDrivers. They were nominated for two Grammys. I then I was in a rock band called the Junction Brothers; we made kind of '70s hard rock music.

Making your own records is really satisfying in the sense that you more or less get to do what you want. It may not sell or whatever, but on an artistic level, the only people that you really have to fight with are the people in your own band.

Well, a lot of our concerts do okay, and I know we still get royalty checks which still isn't that important, but again, I have to just say that we're making our records.

My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.

I was in a little punk band and we put out a few punk records that weren't very political, at all.

I like that band Get Hustle. They're cool live. I haven't heard their records, though.

For us, the pressure comes from internal matter of having recorded eight records.

The best live shows I've ever been to were Green on Red live shows. Amazing live band.

My friend and I were in a band together and we used to always refer it it as 'floor-core,' meaning that we would sit on the floor and play stuff.

And if you are playing in several meters at once, there has to be a - not a rigid - but there definitely has to be a reference to a common pulse in the band.

When we first started as a band we knew we could all sing and we took harmonies from Mayday Parade which doesn't seem like a good harmony reference but it was for us. We wanted to take harmonies from Mayday Parade and be a guitar playing band.

Now I'm a wife and a mother of two. It's a really different role. I always referred to No Doubt as a marriage, because that's what it's like to be together for so long and go through what we've been through. I can't really have that relationship with them anymore.

Ian Gillan, Roger Glover and I wanted to be a hard rock band - we wanted to play rock and roll only.

Ann and I were the main writers in Heart. We had the leadership role, and the guys in the band sometimes had a hard time with that.

I wrote music. I was in a hardcore band when I was 14, and I wasn't good enough to play anyone else's songs, so I had to write my own.

The hardest one, the thing that made the greatest demand on me, was The Mamas & the Papas.

I don't play guitar. I sing. I'm the lead singer, of Cousin Billy. I also play harmonica, after a fashion.

I used to have a musical group with a girlfriend called The Thunderclouds. It was like a Beach Boys cover band. And we would just figure out Beach Boy songs - break 'em into two-part harmonies. And, you know, we played a couple of shows around Olympia. It was very fun.

When you're in a band it's a 24/7 thing. If you don't get on or like each other things will fall apart very quickly, which is what it seems happened with Fifth Harmony.