Quotes About Viewer

I think when your image becomes so big that it's hard for a viewer to see a character, then I think you're in danger as an actor of being unable to perform what you should be doing.

I think romance is a tool, comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer, move people, make you laugh, perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.

I focus on the elements of a movie that are meant to invisibly affect me as a viewer. The edges. As an author, I'm aware of how the subconscious things can pluck at a reader's emotions, and I love it when filmmakers do the same.

I guess I'm trying to write stuff that I, as a viewer, would connect to.

My theme song is always: 'Pay attention to your viewer. Follow them.'

When I am preparing my 'lookalike' photographs, I think about the character of the real people, because, if the photographs are going to be plausible, you have to convince the viewer that they could have happened.

When I do watch things, they tend to be a lot of comedies. I actually like some of the British comedy series. But, on the whole, I'm not a huge viewer of anything.

I love Bollywood as a viewer, but going in front of the camera and singing and dancing is not my thing.

Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.

It is not an aesthetic misstep to make the viewer aware of the paint and the painter's hand. Such an empathetic awareness lies at the heart of aesthetic appreciation.

I look at graphic design as communication, meaning that the work has to have a vibe to connect to the viewer or perceiver. I make a black and white drawing and then add color digitally, bringing in a contemporary pattern to the composition to create a vibrance.

The first time I got recognized in public was at a movie theater. It was at the 'Lord of the Rings' movie premiere. I was at the movie theater, and someone came up, and it was so weird to me, because I had never been recognized by a viewer, so I thought that was scary.

In 'Serena,' stuff happens, then nastier stuff, without ever engaging the viewer's rooting interest or sick fear. Sometimes it's a question of sloppiness on the set or in the editing room.

It's a fallacy, long rebuffed by science, that humans use only about 10% of their brainpower. But it is true about most summer movies. Pouring their wizardry into special effects and well-choreographed fights, warm-weather action films rarely challenge the viewer with grand notions or beautifully baffling imagery.

I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact, it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath, there is a hidden theme.

The viewer I picture in my mind when I do 'The Kelly File' is a woman who's had a long day, either with the kids or at work, or both.

There are a few reboots I'd love to see that I'd love to have nothing to do with! I'd love to watch just as a viewer. 'Quantum Lea' - someone should bring that back. I'd love to see another 'Star Trek' show on the air. I loved 'Buck Rogers'; someone should do that. But I don't want the responsibility of doing any of those things.

There's that rule: Don't show any of the other cameras. Why? Do you think the viewer doesn't think we filmed this?

Surf films should be completely different from a webisode. They should give the viewer different feelings and emotions.

I won't call 'Cabin' an anti-home invasion story, because that's not exactly true, but the home-invasion subgenre is one I generally don't gravitate toward as a reader or film viewer.

I always like things to be as complicated as possible. I don't like an easy ending. I don't like when all the pieces get tied up. As a viewer who loves stories and storytelling, that annoys me.

It matters that we have balance and facts and push people when they need to be pushed so that we can give the accurate, fair, balanced piece to the viewer, and then it's up to the viewer to be the judge.

You can manipulate the viewer in film. With theater, what you see is what you get.

The painter has total control over what they're showing to the viewer.