Quotes About Clarity

To reason from a thing not understood, is to walk straight into the mire.

Well, papa, I sometimes wish you wouldn't explain things so much. I seem to understand you all the time you are preaching, but when I try the text afterwards by myself, I can't make anything of it, and I've forgotten every word you said about it. Perhaps that is because you have no right to understand it. I thought all Protestants had a right to understand every word of the Bible, she returned. If they can

He walked as in a twilight of the sense, Which this one day shall turn to tender light.

The man whose vision is weak, but who, as far as he sees, and desirous to see farther, does the thing he sees, is a true man. If a man knows what is, and says it is not, his knowing does not make him less than a liar.

To the honest soul it is a comfort to believe that the truth will one day be known, that it will cease to be supposed that he was and did as dull heads and hearts reported of him. Still more satisfactory will be the unveiling where a man is misunderstood by those who ought to know him better—who, not even understanding the point at issue, take it for granted he is about to do the wrong thing, while he is crying for courage to heed neither himself nor his friends, but only the Lord.

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect?

The greatest enemy of clear language is insincerity.

The great enemy of clear language is insincerity. When there is a gap between one's real and one's declared aims, one turns as it were instinctively to long words and exhausted idioms, like a cuttlefish spurting out ink.

You must try harder. It is not easy to become sane.

To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.

Freedom is the freedom to say that two plus two make four.

You will see me, where there is no darkness.

When I sit down to write a book, I do not say to myself, 'I am going to produce a work of art.' I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.

Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.

We have now sunk to a depth at which restatement of the obvious is the first duty of intelligent men.

Good prose should be transparent, like a window pane.

i) Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. (ii) Never use a long word where a short one will do. (iii) If it is possible to cut a word out, always cut it out. (iv) Never use the passive where you can use the active. (v) Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. (vi) Break any of these rules sooner than say anything outright barbarous.

I understand HOW: I do not understand WHY

What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing you can do with words is to surrender to them.

Sometimes the first duty of intelligent men is the restatement of the obvious.

A story always sounds clear enough at a distance, but the nearer you get to the scene of events the vaguer it becomes.

I do not wish to comment on the work; if it does not speak for itself, it is a failure.

Do you know why you're here? Shall I tell you why we brought you here? To cure you.To make you sane.

The English language] becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts... if thought corrupts language, language can also corrupt thought.