Quotes About Evaluation

As a model, part of my job is to be critiqued physically.

Picasso said once when being interviewed that one should not be one's own connoisseur.

I think first impressions are important when you pick up a script.

In fact, Cannonball Run II. I used to pick that as the worst movie ever made.

They pick all of us out, and then they decide, they computerize, decide if they like it or don't like it, and then they go home, and then they come back again because they're not sure what they saw.

When you lose, people don't understand why you play this way or don't pick that player.

I don't think the Lakers really knew me when they first drafted me. They just saw my name and my size and my stats. They just picked somebody because they had to.

My brain is here for the picking, and a lot of people are calling me to see what I think about their business, and I'm brutally honest with them.

As a professional you're always judging each other and picking things out about whether you're better or not than those playing.

I am always picking on something or the other about the way I have performed a scene.

The examined life is no picnic.

I realize that every picture isn't a work of art.

Well, it takes a certain amount of money. And I've got to see pictures of the person ahead of time. If I don't like the way the person looks I won't do it.

I make pictures and someone comes in and calls it art.

I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.

When a piece is done, I mix it before going on to any other piece.

I don't like listening to my music, not even new pieces. Generally, they sound pretty much like I expected them to sound, so it's what I wanted, and that's it.

Over the years, CBO has been all over the board on healthcare. The only consistent point is they've missed the mark on different pieces. That's the nature of a scorekeeper.

If I have a free day, sometimes I'm just reading scripts all day. They pile up.

When you do a pilot, you can't always tell what you have.

You read a lot of pilots during pilot season, and not all of them really grab you.

I get a lot of emails of scripts and pilots, and they want me to give feedback, and sometimes I can't because it's so many.

I've done so many pilots I thought were good that didn't work, and so many that I thought were bad that did work.

For me, my continuous struggle with every project is, "Is it better than 'Pink?'"