Quotes About Newsstand

These days, no celebrity on a magazine cover, including Brad Pitt, Oprah Winfrey, Julia Roberts, or Leonardo DiCaprio, could possibly match the visual punch of Alfred E. Neuman, the gap-toothed, grinning boy, goofily peeking out at us on the newsstand.

My neighborhood now is all 21-year-old European supermodels. I go to the international newsstand on the corner, and they're all looking for their pictures in 'Italian Vogue.'

I was a huge fan of 'Mad' magazine when I was 11, 12, 13 years old. I'd scour used bookstores trying to find back issues, and I'd wait at the newsstand for a new issue to come out. My life revolved around it.

In market research I did at Microsoft Corp. in the early 1990s, I estimated that the 'Wall Street Journal' took in about 75 cents per copy from subscribers, $1.25 at the newsstand and a whopping $5 per copy from ads. The ad revenue let them run a far bigger newsroom than subscribers were paying for.

In the lobby, an old woman with legs wrapped in elastic bandages mopped the floor with filthy water. She kept missing the same spot, over and over. There was the overpowering smell of disinfectant, bad tobacco, and wet wool. This was the smell of Russia indoors, the smell of the woman in front of you on line, the smell of every elevator. Near an abandoned newsstand, dozens of overcoats hung on long rows of pegs, somber and dark, lightly steaming, like nags in a stable.

Hard paywalls will never work because, just like at a newsstand, the reader likes to browse the cover and a few articles before choosing to buy. Even if the material is truly unique, a consumer likes to try a little before buying.

The tabloids so easily throw people under the bus for a one-day sensation on the newsstand but sadly don't care about the long-term damage it does to those involved.

The fires pool and strut; they flow up the sides of the ramparts like tides; they splash into alleys, over rooftops, through a carpark. Smoke chases dust; ash chases smoke. A newsstand floats, burning.

Comics publishers are used to looking in a very, very narrow focused prism. It's like when I started writing 'X-Men.' Our 'meat and potatoes' money was made of newsstand sales, while anything that came through the Direct Market was considered gravy.

Rubin, the man at the newsstand, had poor eyes. They may not have been actually weak but they were poor in expression, with lacy lids that furled down at the corners.

When I joined Time Inc., one of the things that was important to me was ensuring that our content is where consumers want to read it. The Apple newsstand is an important place where a lot of consumers are. And Apple is really becoming a good partner to publishers. We are confident we can deliver a experience for our readers that 's really good.

The 'Fortune' I came to work for on Jan. 25, 1954, was a monthly, with pages significantly larger than what you're reading; 'art' covers that did not relate to stories inside; and a newsstand price of $1.25.

It all made sense — terrible sense. The panic she had experienced in the warehouse district because of not knowing what had happened had been superseded at the newsstand by the even greater panic of partial knowledge. And now the torment of partly knowing had yielded to the infinitely greater terror of knowing precisely

I think the biggest challenge is going to be finding a place that sells comics. Ideally, you want someone to come out of a movie theater, look across the street, see a newsstand, walk in and find a copy of the 'X-Men' sitting there. But that's not what's going to happen.

Further, Old published a series of newsstand pamphlets entitled The Green Book for Prophecies that came out intermittently for several years, and in which he updated his predictions.