Quotes About Narrative

Leaning forward, Bergstrom said, "I'm asking you. Come on, give me a folk legend. Anything. You have to have a story hidden away somewhere." David shook his head. "You're not serious, surely?" Bergstrom studied him carefully for a moment. "You forget, I live and work among the Inuit. Stories

It's your story," Kyle whispered back. "Take it where you want to go.

It hurts, because we wanted a different outcome, but then we make it hurt even worse by creating a narrative around what happened. So, instead of creating that debilitating narrative, I think we're better served realizing that now, we have an opportunity to pivot - to take our life in a different direction.

Dear Dick, I wrote in one of many letters, what happens between women now is the most interesting thing in the world because it's least described

I found the second story that I'd ever written, 20 years ago in Wellington. It was written in the third person, the person most girls use when they want to talk about themselves but don't think anyone will listen.

It was the kind of story everybody likes, about a tough girl who becomes a truer version of herself by uncovering her vulnerability. It was the kind of story people like because its universe is played out in the story of one person. It was the kind of story (dare I say it?) that women are supposed to write because all its truths are grounded in a single lie: denying chaos.

The difference between now and fifteen years ago is I don't think I was able, ever, to write any of those notebooks then in the 1st Person. I had to find these ciphers for myself because whenever I tried writing in the 1st Person it sounded like some other person, or else the tritest most neurotic parts of myself that I wanted so badly to get beyond. Now I can't stop writing in the 1st Person, it feels like it's the last chance I'll ever have to figure some of this stuff out.

The faster the story, the less truth is associated with it. This is especially the case on breaking stories.

But the LOST narrative is uniquely intertwined with the Judeo-Christian story, and the beauty of Christianity is found in its unyielding proclamation that no one is beyond redemption--not even a torturer, murderer, or con man.

Archaeological and material evidence is at least free from the constraints of narrative. Archaeologists have indeed sometimes been dismissive of written sources (this was a trend of the 1980s in particular), which only preserve attitudes of literate and thus restricted élites, whereas archaeological excavations and surveys uncover real life, often of the peasantry, who are badly served by texts.

Circe: Do you know what they're looking for, Medea? she asked me. They're looking for a woman who'll tell them that they're not guilty of anything; that the gods, whom they worship by chance, compel them in their undertakings. That the track of blood they leave behind is proper to their male nature as the gods have determined it.

It didn't happen the way one can tell it; but if once can tell it as it was, then one wasn't in on it, or it all happened so long ago that candor comes too easily. In order to make the story tellable, one has to separate and put into sequence events which in reality were so entangled as to be inexplicable...

Over the years, certain stories in the history of a family take hold. They're passed from generation to generation, gaining substance and meaning along the way. You have to learn to sift through them, separating fact from conjecture, the likely from the implausible. Here is what I know: Sometimes the least believable stories are the true ones.

Sometimes the least believable stories are the true ones. 1896–1900 My mother drapes a wrung-out cloth across my forehead.

Sometimes the least believable stories are the true ones.

Over the years, certain stories in the history of family take hold. They're passes from generation to generation, gaining substance and meaning along the way. You have to learn to sift through them, separating fact from conjecture, the likely form the implausible. Here is what I know: Sometimes the least believable stories are the true ones.

Through her ingenuity she invented a shorthand Greek script in which a long written narrative could be transcribed with far fewer letters, and which is still used by the Greeks today, a fine invention whose discovery demanded great sublety. She [Minerva/Pallas (Athena)] invented numbers and a means of quickly counting and adding sums.

Die eerlikste manier om die verhaal te vertel, is stilte.

Iemand anders sal dié storie ook moet vertel om geloofwaardigheid daaraan te gee; die storie kan nie net teer op herinnering wat dit plooi na die eise van die hede nie.

I thought that would be kind of cool, to make a bad guy look sympathetic.

Trust the tale, not the teller.

Make it interesting and it will be true: this is what story writers live by.

The historian reports to us, not events themselves, but the impressions they have made on him.

He only tells the story once but you see it from about 8 points of view, you have to pay attention the whole time to see whether something seems to be true or is just what somebody says is true.