Quotes About Transition

I took responsibility in Munich from the beginning. But I could not walk in with splayed elbows into the club and say, 'Here comes the Schalke captain.'

My first year in Munich was definitely not easy.

When I left Genesis, I just wanted to be out of the music business. I felt like I was just in the machinery. We knew what we were going to be doing in 18 months or two years ahead. I just did not enjoy that.

I hope that I am out of the music business when I meet God.

I started as a music director in Punjab and then started singing.

Well, the music industry is littered with actors who belatedly came to singing.

The music industry is so cool because it's constantly changing.

We all have to start somewhere but I don't miss the music industry.

Yeah 100 per cent, I feel like I've been trying to crack the music industry now for a long time and it's been hard crossing over from reality to doing music.

I just kind of transitioned right out of the dance world into the music industry. I started writing and I just fell in love with the whole process.

I never left music, I just left the music scene.

I'm just a consequence of the great musical momentum and the great changes we are going through in the world.

One thing is certain: We can't go back. The musical will never be the same as it was.

My brain knows how to learn musical theater dancing, but learning hip-hop? It was so hard for my body to understand how to move in that way.

I thought I was going to be in musical theater all the way, from beginning to end, and then it started not to feel right after my first year at conservatory.

Musically, I actually grew up listening to country music as a kid, like George Strait, Alan Jackson... all those guys. So it was kind of weird crossing over from that to pop and R&B, but you know, I love Michael Jackson, Ne-Yo, Usher, R. Kelly, Drake, Boyz II Men.

I am frozen musically somewhere around 2004.

Twenty-fourteen is all about growth musically and new agendas.

Musicals are famous for being in a constant state of flux.

I'd always done musicals, and so living in the world of straight plays and working with off-Broadway actors and living in that community was a completely life-changing experience.

I absolutely love working on musicals, but anytime I finish a project, I want to move on to something completely different.

I've been able to make a good living as a musician, but now it's time to do all the other stuff.

I really didn't intend to be a musician when I left Japan.

I think it's just an awkward time right now to be a musician.