Quotes About Transition

Subjectivity ceases to exist only when the mutation-like leap is made from subjectivity to objectivity, from individual existence to universal existence.

The most universal challenge that we face is the transition from seeing our human institutions as machines to seeing them as embodiments of nature.

Seasonal changes, as it were, take place in history, when there is practically an almost universal death, a falling of the foliage of the tree of life. Such were the intervals between the ancient and mediaeval time, the mediaeval and the modern.

The teenage years are such a great subject because everything is heightened and on the surface, and it deals with universal emotions that we face even as we get older.

Female adolescence is - universally - an emotionally and psychologically intense period.

There comes a moment as a parent when you realize you will no longer be the center of your child's universe.

It's incredible to be going from the Shondaland universe to 'Big Bang' creator Chuck Lorre.

Leaving North Korea is not like leaving any other country. It is more like leaving another universe.

I think growing up is difficult and it's a process that I'm always interested in, with kids and adults, they are often on two different universes.

We need to say goodbye to the traditional methodologies of corporate universities.

Halcyon people have put aside and left their homes, their million dollar salaries, full professorships at major universities, and fully seed-funded startup companies to be part of this effort.

I graduated from university with a degree in architecture and then ended up doing a series of internships with different firms. And once I was in an office environment, I realized that at school what I was doing was 98 percent creative, 2 percent makework, but in the real world, it was the other way around.

I went to the University of Arizona. I stopped because I went there for two years and I felt like I experienced college or whatever. I'm over it. I like Hollywood better.

I knew that when I resigned from the University of Texas that I would never coach again.

I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking.

I was going from Furman to the University of Georgia. I transferred to play football.

I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn't what I was going to do and I went to the B.F.A. film program at N.Y.U.

When I left my parents' home when I was 19, I went to the University of Florida, and within 24 hours was in the mental health department. And within 20 minutes, I was being told by the director there that they didn't have what I needed there.

People don't really know themselves until they're 30. Like most people nowadays, I went to university, got a degree and wandered for a bit. I trained to be a chartered accountant, which I didn't much enjoy, and it was only slowly that the idea of becoming a creative writer gelled.

I wanted to be a cartoonist, and then I wanted to go into film - not as an actor, but as a writer-director - and then I found myself during film school at the University of Southern California listening to the Clarence Thomas hearings in class on my Walkman, and I realized L.A. was not really for me.

We moved over to Silver Spring, actually near University Park.

I went to Duke University in the medical track. And then I decided I wanted to do something more creative, so I switched to biochemistry at Nebraska.

When I left the University of Notre Dame, I honestly felt I would never coach again.

When I was 24, I went back to the academic life and did a degree in film and television at Brunel University.