Quotes About Transition

Left-hand neighbour turns to me and remarks, 'I am always so sorry for army people – so dreadful to be moved away from a place when you are fond of it.' Reply that there is some consolation in the fact that you are also moved away from places you are not fond of.

As long as skies are blue and fields are green Evening must usher night, night urge the morrow, Month follow month with woe, and year wake year to sorrow PERCY BYSSHE SHELLEY

Standing with reluctant feet Where the brook and river meet; Womanhood and childhood fleet. HENRY WADSWORTH LONGFELLOW

If there's no future in what you're doing you should cut your losses and try another line.

We have to hate our immediate predecessors to get free of their authority.

And so we go.' It's my way of saying that I'm prepared for the next adventure. The next chapter. The next challenge. Whatever comes my way, I'm ready for it. Because that truly is the way it was meant to be...

Even at the end of the road, read the first sentence, there is a road. Even at the end of the road, a new road stretches out, endless and open, a road that may lead anywhere. To him who will find it, there is always a road.

Getting here had become part of what being here meant.

One moment they were in a Brandenyard street, the next running by wicket-fenced fields where stupidly dignified goats with great, flopping ears and fat, overlong noses stared at them solemnly.

About a year after 'Bosom Buddies,' I was suddenly a regular on 'Newhart,' and I was there almost seven years. And then, somewhere in the mid-1990s, I ended up doing a TV series version of 'Honey, I Shrunk the Kids.'

I worry about every newspaper. I worry about the financial undertaking, and I worry that somehow the loss of the sale of the paper version will affect their ability to have journalists and editors and producers. We really need those.

Don't be afraid of growing up and changing and getting used to these newer versions of yourself and becoming more comfortable sharing those versions of yourself with the people in your life, even people who knew you when you were younger.

I've always loved acting with adults versus like the whole High School feel.

A trade is a trade, but it's different as far as summertime versus in the season.

Especially going from an attacking player to a defensive player, your whole mindset has to change. You have to work on one-v-one defending versus one-v-one attacking.

When I came from horizontal vertical straight all old stuff then suddenly I go also again in curved lines. And there I submit to changes in the intensity of my hand leading a tool, you see.

The top-down, vertical power relationships of the past are being replaced by a more evenly distributed, bottom-up variety.

After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd have to devote myself to it full time, so I ended up leaving my job there and went freelance.

See, life is a journey and every chapter is very interesting.

It's a very confusing era that we're in.

When I came to Johannesburg from the countryside, I knew nobody, but many strangers were very kind to me. I then was dragged into politics, and then, subsequently, I became a lawyer.

With standup, I was thrown into the deep end at a very early age, without being able to swim. Acting was the same.

Four months after we released 'I Don't Want to Be Funny Anymore,' the album came out on EggHunt. Three months after that, we officially signed with Matador. That's not a very long time: half a year between the first flood and the final signing.

Five years is a very long time. If you think about it in terms of just people's lives, in terms of who our audience is: if you were in high school when you first saw our stuff, you're in college now.