Quotes About Transition

Yeah, I grew up doing ballet and jazz and tap, but I stopped at the age of 25, and I've never stepped foot in a ballroom.

Tap was against everything I had learned to do. I was pulled up as a ballet dancer, and I wasn't used to pounding the floor with bent knees.

When I started bowling with a cricket ball, I was quite nippy, because I was already used to exerting more energy with the tape ball. So by the time I made the switch, I had already strengthened my shoulders.

Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film.

You put a song on the record or on tape and you stop singing it. You just don't sit around and sing it anymore unless you're performing. That's kind of sad.

I remember when I was about 15 and still listened to Pet Shop Boys and Chas And Dave, some lad at school lent me a Blur tape, and it had on it a song called 'Bank Holiday.' I said, 'What's this? I liked that tape, but that one song is a bit fast'. He said, 'Yeah, it's punk. It depends what mood you're in.' And then something sort of clicked in me.

I'm one of those cats who could listen to Public Enemy and then pop that out and throw an NWA tape in there.

As soon as I came to L.A., things immediately shifted for me. I was now actually here with the people who were making the decisions; I wasn't out in New York sending in tapes to L.A.

A creative project is a moving target. You never end up where you start.

I really do feel like Los Angeles is my home now and, as cliche as this sounds, I felt like I found myself here and I really know who I am now. There was a long period like I was drifting or floating through life, and now I feel like I have a definitive target - and future.

We initially targeted pager networks, which have been suffering for the last decade due to cell phone sales.

The old player in me can certainly sympathise with how your targets change because you simply do not know what is around the corner.

Comedy is often a short career because you get to a point where you are no longer a small thing punching up at targets; you are the big thing, and it's hard to write from that position.

I have a great legacy, tarnished somewhat by the move.

Fonseca allows me to play both offensively and defensively, and my main task is to change the direction of attacking moves.

Taste is changing, style is changing, and players' abilities are changing.

Definitely, as I get older and my taste buds change, I want to do different things. I'm not ready for directing yet, you know, maybe when I get my big boy voice; I don't have that yet, but right now definitely producing for sure.

Since I've been pregnant, I've lost my taste for fast food. I used to be the biggest McDonald's junkie and now I don't like it anymore. I used to be the biggest fast-food connoisseur, and now I've really lost my taste for it.

Before children, it's kind of easy to be solipsistic - you and your wife are in this hermetic little thing, and your own desires, wants, needs, tastes dictate your choices. Then, suddenly, all of that's gone.

Hogan began when tastes were changing and people were moving away from clothes that were not so formal: Hogan caught the right moment.

Things are always going to evolve and change. You might not always like the direction of it, but people's tastes change.

Even if you're not in a new place every day and not in the music industry, your tastes in music and fashion and everything are going to change drastically between 16 and 21.

I've always been taught that life is a series of chapters, and it's all about moving forward and not carrying around baggage.

I did B com but realised that it was not my cup of tea. I was always fascinated by animation, and after I completed my course, I wanted to go abroad and pursue it. I used to sketch a lot and was rather serious about it. But all this was until I joined films.