Quotes About Narratives

This whole idea of too much TV, I think is really gross. Because I feel like it's mostly white men who are saying it. And it's like, 'Yeah, man, there's too much TV for you, but by nature of there being so much TV, there are other voices being represented.' Isn't that a wonderful thing?

Do I have to see movies and television about the English throne or the Holocaust every year? There are multiple multi-million dollar movies with the same backdrop. But our Holocaust - meaning Latino - aren't ever told.

It's this weird binary where I'm getting media images and narratives thrown at me all the time through something I hold in my hand, and that's never happened to other generations. But also with this little object in my hand, I have the ability to document police brutality, or post about the Syrian conflict on Twitter.

Our culture thrives on black-and-white narratives, clearly defined emotions, easy endings, and so, this thrust into complexity exhausts.

My sister-in-law believes that few narratives are so tightly constructed that you can't skip boring bits and still keep abreast of what's going on.

Memory is most powerful when it is purposeful and selective. . . . [I]t requires that we possess stories and narratives that link facts in ways that are both meaningful and truthful, and provide a . . . way of knowing what facts are worth attending to. . . . We remember those things that fit a template of meaning, and point to a larger whole. We fail to retain the details that, like wandering orphans, have no connection to anything of abiding concern. . . . The design of our courses and

All stories are ghost stories," I

pay attention to the stories people tell about themselves, which will help you figure out what they stand for and their sense of identity.

I don't mind any of the broken things. I like to figure out their stories." -George

One of Scotland's most important cultural exports - stories.

I have become very aware how under-represented are the stories of the underprivileged and undervalued. Our records are, in general, very male and if not always the material of the rich, certainly (for obvious reasons) the material of the literate.

Even though universal metanarratives are largely absent, personal "I" narratives are everywhere. The popular imagination is saturated with self-obsessive stories in film, television, advertising, music, MySpace, and YouTube—but this is the equivalent of bingeing on junk food while dying for want of substance.

The cure for competing narratives is nothing more or less than the Apostles' Creed. Yes, I'll say that again: the creed is our story, succinctly stated.

Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.

The story-tellers and spinners of erotic tales are hardly more than butchers who hang up meat attractive to flies.

She liked to hear people tell stories. The saddest ones were the best. She wondered if that meant anything at all.

My films are just stories, but that's all we have, the stories we tell others and the stories we tell ourselves. When you talk to the elderly, men and women at the end of their lives, you see that's what's left behind as the body disintegrates. Our stories. Our children will decide whether or not to keep telling them.

And I think a long time ago there were big stories. Stories so big you could live your whole life in them. The Powerful Hands of the Gods and Fate. The Journey to Enlightenment. The March of Socialism. But they all died or the world grew up or grew senile or forgot them, so now we're making up our own stories. Little stories. But we've each got one.

But most of all I was inspired by the stirring examples of all the other runners. In some pictures they would seem like tiny dots in a mosaic, but each had a separate narrative starting a few months or a lifetime earlier and finishing that day in the New York City Marathon, the race with 37,000 stories.

TWO COMPENSATIONS FOR GROWING OLD are worth putting on record as the condition asserts itself. The first is a vantage point gained for acquiring embellishments to narratives that have been unfolding for years beside one's own, trimmings that can even appear to supply the conclusion of a given story, though finality is never certain, a dimension always possible to add.

Everyone tells stories around here. Every place, every person has a ring of stories around them, a halo almost. People have told me tales ever since I was a tiny girl squatting in the front dooryard, in mud-caked overalls, digging for doodlebugs. They have talked to me, and talked to me. some I've forgotten, but most I remember. And so my memory goes back before my birth

the seventh-century biblical narratives transformed a slow, peaceful process into a something more dramatic, in order to stress the importance of the obedience of Israel to the will of Yahweh.

Among the tortures and devastations of life is this then—our friends are not able to finish their stories.

Stories are Life's instruction manuals.