Quotes About Ownership

I'm never going to let you," she whispered, holding herself stiff and still in his arms. "You might as well forget it and let me go right now." The arms around her tightened like iron bands and his voice was a low, possessive growl. "Never. You're mine, Olivia. The sooner you realize that the better.

The Laws of Ownership," she said and this time her face went positively red. "I never understood before but maybe… maybe that's what this… this feeling is all about." I nodded slowly. "Corbin said you would belong to me and I would belong to you. I guess I never really got it, either." I got it now, though. Got the fact that I wanted her with me always. I wondered if she felt the same way. Or if she ever would.

He cast one last possessive glance over his shoulder at the figure in the window. "Mine," he repeated with unshakable certainty. "Mine whether you know it or not, Lilenta. And tomorrow I claim you.

Sophia was so beautiful in the clinging, moss green tharp and if another male looked at her or wanted to talk to her, he would have to sit by and watch it happen. Because despite what his heart told him, he technically had no claim on her. No claim at all. *

Before saying, 'This track is so dope; it's gonna go on the album,' I like to take some time away from it and see how I feel about it in a few months. If it's gonna get released, I gotta love it - it's gonna have my name on it forever.

Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you.

It's been said that Bill Gates has come up with something that'll be released in December that's gonna put a lid on counterfeiting. If that's a fact then it's really interesting to own your own product - with all the potential methods of downloading.

If you are a musician who has released albums, it would perhaps be morbidly interesting to know how much you would be owed if everyone who now has your music had actually bought your record.

To me, 'director's cut' means that what was released before was somebody else's cut. That, to me, always implies that what was released wasn't what the director wanted.

Death Cab always gets right of first refusal on everything I write, but I tend to know early on. There's a song that has yet to be released - it might come to light at some point in the near future - that when I was writing it, I was really proud of it lyrically.

I like to be on most of my songs. I think being on your songs makes it all the more special in a way. Especially for me, just knowing that I'm releasing something that I was really a part of and dug in the dirt with.

The Commissioner was correct to ban Mr. Sterling from all official NBA business, to levy the stiffest allowable fine, and we will support his recommendation to press for Mr. Sterling to relinquish his ownership of the Los Angeles Clippers franchise.

I like track and field for the simple reason that I determine my own outcome. I don't rely on my coach or the president or the CEO making a decision. I'm kind of like the CEO of my own corporation.

When someone takes a private photo, on a private cell phone, it should remain just that: private.

I like having my own story remain my story.

Pemex will remain 100 percent Mexican.

For some companies, going public makes the most sense. For others, remaining private is preferable.

We believe that we can deliver better shareholder value by remaining an independent retailer.

What I want, when I write a poem, is no more than this: that it be preserved in some published form so that, in principle, someone, somewhere, will be able to find it and read it. That is all I need, as a poet, and that is the beauty, the luxury of my position. My lyric is mine and remains mine. Nobody can ruin it.

Doing a remake is an open admission that, 'boss, I don't have anything of my own.'

My life is mine to remember.

I remembered their songs but I had never owned a Beatles album.

'Aashiqui' is not my baby. It is Bhatt saab's story. I will always be remembered for the film, and nobody can take that away from me.

One song I do is 'The First Cut is the Deepest.' I try to remind people I wrote that song, not Rod Stewart.