Quotes About Multidisciplinary

I work on everything, whether it's a film or TV show - I wouldn't even consider 'American Gods' a TV show. I don't even know what it is.

Some people don't listen to my music because they say that I am an artist. And some don't want to go to my gallery shows, because they say I am a musician.

I get called lots of things - a biochemist, a molecular biologist, a chemical engineer - and I guess I am all of those. I identify most as human!

He used his intellect as he used his legs: to carry him somewhere else. He studied astrology, astronomy, botany, chemistry, numerology, fortification, divination, organ building, metallurgy, medicine, perspective, the kabbala, toxicology, philosophy, and jurisprudence. He kept his interest in anatomy and did a dissection whenever he could get hold of a body. He learned Arabic, Catalan, Polish, Icelandic, Basque, Hungarian, Romany, and demotic Greek.

I wouldn't be happy to be a specialist. There are some very interesting artists in history who refused to be nailed down into a category, like Da Vinci or Jean Cocteau. You could say Cocteau was a great poet but also a film-maker, interested in theatre, sculpture, and could never identify with any of these forms exclusively.

My work more than didn't fit in. It crossed willy-nilly the boundaries that people had spent their lives building up. It hits some 30 subfields of biology, even geology.

Any man who is only an economist is unlikely to be a good one.

'Station to Station' is a series of happenings that go across the landscape. What is a happening? A happening is a moment in time. A moment in time that is not choreographed, where you don't know precisely what's going on. Where there are aspects of different layers of culture.

There are three things our eingeneering educators must do immediately in offering the curricula to their students: (1) Multidisciplinary courses (2) Good communication skills (3) Team work experiences.

Finding oil is a multidisciplinary science. You need a lot of people - statisticians, engineers, and geologists, of course. And what I have learned in the past 30 years is that I read people better than I read books.

We need to stay on the leading edge of technology, that technology in our products, in our internal process and manufacturing. But most importantly, we need the talent. It's multidisciplinary talent. It's talent that knows how to operate globally, that has technology savvy and a business savvy.

I'd love to work across all three fields - theatre, film and TV.

It's essential for me to be working on a nonfiction sort of research project simultaneous with multiple projects that are in different realms of art practice or not.

Instead of books, art, theatre, and music being consigned to specialized niches, we might have a criticism that better reflects the eclecticism of our time, a criticism that takes in various arts all at once.

The 20th century is a period defined by cultural and artistic movements. However, the 21st century creative-scape that we occupy now doesn't really have movements in the same way. Instead it's made up of diverse individuals working across various platforms simultaneously; art, architecture, film, music and literature.

In art school, I started to see Pettibon in magazines, and I figured it out backward. I was into the idea that someone could show work in galleries while making album covers and photocopied books.

If I can't find a project that I'm really interested in, I'll just go back to college where I've been studying art history and French. I'm also going to study English and philosophy - the whole curriculum!

I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.

Wagnerian Gesamtkunstwerk-flavored chewing gum.

Killing Eve' was kind of the road for me as an art person, where you have this opportunity to work with so many different writers, so many different directors, and so many actors at the same time.

While detailed knowledge of a single area once guaranteed success, today the top rewards go to those who can operate with equal aplomb in starkly different realms. I call these people "boundary crossers." They develop expertise in multiple spheres, they speak different languages, and they find joy in the rich variety of human experience.

I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.

Part of my training was learning how to refer patients to cardiologists for heart problems, gastroenterologists for stomach issues, and rheumatologists for joint pain. Given that most physicians were trained this way, it's no wonder that the average Medicare patient has six doctors and is on five different medications.