Quotes About Celebrity

We used to go to Studio 54 - an amazing place.

Studio 54 made Halloween in Hollywood look like a PTA meeting.

On the low, I've been in Kanye's studio, No Name, out in L.A.

I know that when I've passed the Jim Nabors set at our studio, I call out 'Hi Gomer,' and I can't honestly think of his real name.

I could never be a movie star and get up at 7:30 to be at someone else's studio.

I definitely don't like red carpets. I go on the red carpet because I have to but I'm not a big fan. That's not my thing. I'd rather be in the studio making music and performing.

Money's not important to me. Movie star acknowledgement is not important to me. I don't want to be a big studio actress. I don't want to be in the limelight.

Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.

I love the New York that was. The end for me was Studio 54. I don't go out at night anymore.

I really don't consider myself to be a conventional Hollywood star. I've never really been marketed by the big studios to do mass market box office films.

In the studios days, the public's perception of movie stars was much different, because the stars were so much less exposed. This made them seem more special, more unearthly. Today they're no longer perceived as different - they've become human, so to speak.

The studios knew how to build a star, and they knew what to do with you. They also taught you everything.

If Barbra Steisand wants to make a picture called 'My Pink Fingernail,' the studios will go, 'Gee, Barbra, what a wonderful idea! Money is no object! Take two years in preproduction and write the music, and you'll direct.'

Let me tell you, there's nothing like pulling up to Fox Studios bumping Jeezy in your Mercedes.

A lot of my friend's mothers and parents worked at Paramount Studios, so I would always go. I met the Fonz when I was really young, like four or five years old. I was always around people in entertainment all the time throughout my whole life.

I've been hanging around movie sets and recording studios since I can remember.

Study the public behavior of top stars and you can detect a keen attentiveness to brand value.

I really believe that, as an actor, you should be constantly studying other people, and celebrity had the absolute opposite effect on me. It made me want to hide - to run away and hide.

There were screaming girls, I had to learn as a blind person how to run to a limousine otherwise they'd take my clothes off and stuff. I thought to myself 'how could this happen?' I mean I could see it, Frank Sinatra, Elvis Presley, The Beatles, but Jose Feliciano? It was a mystery to me.

Jim Carrey and my dad were best friends. He would always be in my house and stuff like that.

Of course, once you've been a Beatle, you're never really out of it. People always want to know what you're up to, and if you don't immediately tell 'em, that's when they start making stuff up.

I get my flow from Daddy, my singing ability from Mommy, the camera stuff from both. That's just what happens when you hang out with the Smiths.

There's not a day in my life I'm not proud of being gay, but I just wasn't ready for that attention to be placed on it. I remember being on Oprah. Well, not on Oprah. Near Oprah. She started saying, 'Now, Nathan, you got all those girlie moves going down in 'The Birdcage,' where's all that coming from? You're so good at all that girlie stuff!'

One of the hardest things for me, now that I'm famous, is finding people who can read my stuff and give me an honest critique.