Quotes About Playwrights

I love the theatre and Miller is one of my all-time favourite playwrights. 'All My Sons' is a very socialist play, which exposes the lack of empathy that can accompany capitalism when it is left unchecked.

The critic is the duenna in the passionate affair between playwrights, actors and audiences - a figure dreaded, and occasionally comic, but never welcome, never loved.

Sometimes the fresh load of guests would turn up before we had got rid of the previous group, and the chaos was indescribable; the house and garden would be dotted with poets, authors, artists, and playwrights arguing, painting, drinking, typing, and composing. Far from being the ordinary, charming people that Larry had promised, they all turned out to be the most extraordinary eccentrics who were so highbrow that they had difficulty in understanding one another.

I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.

if one goes through Francis Meres's list of the best English dramatists in 1598 one quickly discovers that commonplace books and early drafts of published plays don't survive for any of these popular Elizabethan playwrights.

Shakespeare had no Boswell–but neither did Marlowe, Jonson, Webster or any other contemporary dramatist.

In England, when we're at drama school, we spend a lot of time learning the craft from playwrights and stage actors, who are very well trained in the basics of acting because they need to get it right the first time - you can't have second or third takes when you're in front of a live audience, unlike in film.

Well, one of the things we're supposed to be able to do as playwrights is write from a place of empathy, get into another character's shoes and experience things both mundane and tragic. And people don't -- like me right now -- people aren't necessarily the most eloquent when trying to express their emotions. I guess I feel as a playwright that those people deserve a voice, too, a voice that isn't so articulate that they themselves can no longer identify with it.

I'm inspired by playwrights, novelists, poets: The value of language has been a lifelong passion of mine. I enjoy it. I'm good at it.

The American middle class's faith in personal comfort as an end in itself is, in essence, a denial of life. And it has been imposed upon American writers and playwrights strongly enough to cut them off from their deeper sources.

You have to have hope. It's irresponsible to give false hope, which I think a lot of playwrights are guilty of. But I also think it's irresponsible to simply be a nihilist, which quite a lot of playwrights, especially playwrights younger than me, have become guilty of.

You have to have hope. It's irresponsible to give false hope, which I think a lot of playwrights are guilty of. But I also think it's irresponsible to simply be a nihilist, which quite a lot of playwrights, especially playwrights younger than me, have become guilty of.

We grew up on Harold Pinter, Sam Shepard, Samuel Beckett. You're making something about men on the verge of a nervous breakdown, you're going to look to those guys.

I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.

I've always been a huge John Guare fan. But Edward Albee - he just can't be beat.

Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers, novelists, playwrights, painters have been examining for a long time.

The Duc de Guermantes was not overpleased by these offers. Uncertain whether Ibsen and D'Annunzio were dead or alive, he could see in his mind's eye a tribe of authors, playwrights, coming to call upon his wife and putting her in their works. People in society are too apt to think of a book as a sort of cube one side of which has been removed, so that the author can at once 'put in' the people he meets

The one living playwright I admire without any reservation whatsoever is Samuel Beckett. I have funny feelings about almost all the others.