Quotes About Precision

If I could be like Happy Gilmore or Kyle Berkshire, hitting over 400 yards and hitting it straight? That is a massive, massive advantage. So I set out to do that, and I've been healthier and stronger ever since.

I play fairly aggressively week to week and fire at a lot of pins. So I might miss more greens than other pros, but I'm still only a few yards from the hole when I do. That being said, when I really need to hit a green in regulation, I'm confident in my swing.

When you're in a club or a theater or even an arena, yeah, you want visuals, you want a good light show. But Slayer has always been about the sound. We have to sound good. It has to be tight.

Good running is the ability to have a very well defined on-board computer. The ability to judge distances when running in traffic.

There is no tragedy in missing a putt, no matter how short. All have erred in this respect.

In this sport luck and tragedy are only a few hundredths of seconds apart from each other.

If your timing is not correct then comedy will become tragedy.

Football is like hunting. One second can change it all, but it's not just any second, it's a flash. The prey is there and suddenly then it's not. In an instant it's over - you won't have the chance again. You need to know which one precise second to train for, and to understand that moment.

We had been told many times that astronauts would not make any mistakes. They were trained to be perfect.

I do love archery in my day-to-day life because I find it very therapeutic, and I've trained every season with the bow and arrow.

I'm trained to button scenes and round things off, and I get rewarded for doing that.

I am a trained, professional stunt driver. I'm a great driver.

I understand when people think dressage is boring. But while your standard horse is like driving a Fiesta, our horses are like driving Formula One cars. I can't breathe without the horse reacting. You are training another being to become really responsive and athletic and powerful.

So much success from set pieces comes from practice. Maybe fans see a well-worked free-kick and think it looks good, but to get that, there has been hours of work that nobody has seen on the training ground.

Japan is a country that works well. The trains, buses, and planes stick to their timetables. When you try to change the schedule of anything, it can confuse.

I love the German and the Swiss people for their many fine traits of character. I love their language that is so exacting and yet so expressive.

When you're throwing the football the way you want to, you're not thinking about it. You're not thinking about your drop or your release point or the trajectory or where your feet are. It's just coming off your hand exactly the way you want it to, fluid and confident.

David Beckham is always seen as the thickest man on the planet, too daft to complete a jigsaw puzzle. But then you watch old footage of him playing and every time he plays a ball across the field, he's intuitively working out the trajectory of the ball.

I was kind of a slap hitter, trying to get base hits, hit line drives, stay below a certain trajectory with my ball.

One game that I've been playing a lot is 'Super Stick Golf.' It's really simple, and it's similar in a sense to 'Angry Birds' because you have to hit the right angle and the right trajectory to complete each hole. That one really hooked me.

In chess, knowledge is a very transient thing. It changes so fast that even a single mouse-slip sometimes changes the evaluation.

I don't hit it as far as a lot of guys do, so I have to be in the right spot in the fairway to score, and that means driving it well. The two biggest keys for me are to make a good transition and to keep my hands ahead of the clubhead through impact. I want to feel as if my swing is two swings: one going back and another coming down.

Basically I'm a female human being with brown hair, enjoy precision, reading the news, eating delicious food with my delicious friends and laughing at ridiculous things that don't translate while you are desperately trying to make them.

Animated films are so precisely engineered - right down to forming lines of dialogue with words pulled from several different takes - how do you translate that spontaneity from the live-action to the digital realm?